The Taos News

After The Flood: Life in Taos for Artist Gary Paul

Listening to Gary Paul, a contempora­ry American artist and printmaker’s life story was like trying to digest a box of trail mix. He’s traveled around the world three times.

- By Celesa Lucien Gary Paul: Canvas and Eye

Growing up in Indianapol­is, at sixteen Paul’s uncle sat him down and told him, “Son, you have no future in this town.” It was during the Cuban Missile Crisis when John F. Kennedy was president. After high school Paul asked for his father’s consent to join the US Air Force in 1962.

One year later he was able to join the K-9 division until 1966.

In 1972 Paul graduated from the California College of Arts and Crafts, in Oakland, California with a bachelors of fine art degree. His interests were in all forms of printmakin­g, oil painting and mixed media. He has independen­tly studied all over the world, including Australia,

Bali, Belize, Fiji, Florence, Italy; India, Jamaica, China, Peru, at the Cite

Internatio­nale de Paris,

France; in French Polynesia, and Yucatan, as well as Tibet and more places than can be listed.

In the early 1980s Paul produced a silk screen series. After suffering an ailment in New Delhi, India a local doctor hand wrote a prescripti­on for an antimalari­al drug. The result for Paul was an hallucinog­enic experience he had while working on the first print in the series, called “New Delhi Morning.” The drug-induced side effects resulted in some of his most colorful, energetic works, which he continued to produce when he returned to Denver, Colorado.

While a student aide at Santa Barbara City College, Paul escorted students to Paris in 1992 and 1993, and for the next 12 years he visited Paris annually. He frequently painted at The Louvre where he was allowed to select a painting to copy. While in Paris he also visited the studio of avant-garde photograph­er Man Ray. At Ray’s studio Paul created an abstract mixed media montage titled, “31 bis.rue Champagne-Premiere.”

Paul moved to Taos permanentl­y in 2018 after many productive years in Denver, Colorado. He unpacked his house, set up his studio and contemplat­ed how he’d make a living in Taos. He decided to pull out his prints from the 1980s which were all meticulous­ly preserved and signed. He’d used the most expensive handmade embossed paper from Italy. He spread them on the studio floor and organized his work to frame, mat and shrink wrap.

The next morning he walked into his studio to discover a river pouring

from under the doors.

The hot water heater had burst in the night, destroying the majority of his prints. Shocked and dismayed, Paul recovered only the cost of the paper from the insurance policy he had held for forty years, before being dropped.

The loss of possession­s or finances is all too familiar to those that choose to make Taos home.

It seems to require a stripping down of ego and identity and a reevaluati­on of what is important.

Today, Paul is happily painting in his studio with fresh awareness. The panoramic views of

Taos mountain inspire him with new personal freedom. Maggie, his cat, sleeps on a sunny perch, depicted in Paul’s most recent 48”x 48” oil painting, “Maggie’s Loft.”

Paul is represente­d at the Taos Artist Collective at 106 A Paseo del Norte. His website is TheCanvasa­ndEye.com. Paul’s work has been exhibited in regional and national exhibition­s and is included in many private and public collection­s in the US and Europe.

Taos Artist Collective

106 A Paseo del pueblo Norte 303-514-5151 thecanvasa­ndeye.com

 ?? COURTESY PHOTO ?? “Fall Colors Taos Mountain”, oil on canvas, 48” X 72”
COURTESY PHOTO “Fall Colors Taos Mountain”, oil on canvas, 48” X 72”
 ?? COURTESY PHOTO ?? Gary Paul with two of his surviving silkscreen­s from the studio flood.
COURTESY PHOTO Gary Paul with two of his surviving silkscreen­s from the studio flood.
 ?? COURTESY PHOTO ?? In the studio with artist Gary Paul in front of “Maggie’s Loft” and “Picasso’s Chair”
COURTESY PHOTO In the studio with artist Gary Paul in front of “Maggie’s Loft” and “Picasso’s Chair”

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