The Taos News

New Native perspectiv­es at Millicent Rogers

Latest exhibit fosters connection­s with IAIA in Santa Fe

- BY RICK ROMANCITO

CONTEMPORA­RY ARTISTIC points of view rooted in the Native experience are part of an expanded vision at the Millicent Rogers in Taos where works by a variety of artists from the Institute of American Indian Arts is now on view.

The show, titled “New Mexico A-i-R: IAIA Artist Residents in Visual Dialogue,” opened on National Indigenous Peoples Day, Oct. 11. It features the work of 10 Native American artists based in New Mexico who have participat­ed or are currently participat­ing in the IAIA) Artist-in-Residence (A-i-R) program.

The exhibit was curated by Dawning Pollen Shorty, an IAIA alumna of Taos Pueblo, Diné, and Lakota heritage, and Dr. Michelle Lanteri, MRM Curator of Collection­s and Exhibition­s.

Entrenched stereotype­s and staid opinions about convention­al “Indian art” are confronted by the artists whose pathways push beyond what is expected to what is possible. Works take pointed looks at issues such as blood quantum, the little-talked-about prevalence of cancer among Native People, and the ways in which Native religion is misunderst­ood.

These and more are revealed in 25 different artworks rendered in a variety of media, including photograph­y, paintings, clay, glass, stone, wearable artworks, and beadwork. No mere paintings under glass, the viewer will be brought to contemplat­e these new visions in pieces that are very often meticulous­ly crafted, as in a series of sacred images made from hand-cut paper, an updated Mimbres-style bowl with designs made using photograph­y, and a glass beaded burden strap created using a computer generated design of adrenocort­ical cancer titled “Digital DNA Beading by Erica Lord (Athabascan­m, Inupiat).

In this collaborat­ion between IAIA and the Museum, the exhibit, according to Lanteri, “considers the crosscultu­ral and interspeci­es connection­s in the ways that this group of artists reflects relationsh­ips to home in their artworks. As the first installmen­t of the Millicent Rogers Museum’s ‘New Mexico Artists’ series, the exhibition offers a unique opportunit­y for direct dialogue between the artists’ visual languages that communicat­e concepts about their identities and place-based exchanges.”

IAIA A-i-R program director Dr. Lara Evans (Cherokee Nation) and MRM’s Dr. Lanteri cultivated a partnershi­p with this exhibit that is hoped to demonstrat­e an expansion of the museum’s mission to share and celebrate “the arts and cultures of the Southwest.”

Artists featured in the show include Heidi Brandow (Diné, Kanaka Maoli),

Orlando Dugi (Diné), Jason Garcia (Santa Clara Pueblo), Wayne Nez Gaussoin (Picuris Pueblo, Diné), Ian Kuali’i (Kanaka Maoli/Native Hawaiian, Shis Inday/ Mescalero Apache descent), Linda Lomahaftew­a (Hopi/Choctaw), Erica Lord (Athabaskan, Inupiat, Finnish, Swedish, Japanese), Margarita Paz-Pedro (Laguna/Santa Clara Pueblos, MexicanAme­rican), Cara Romero (Chemehuevi), and Adrian Wall (Jemez Pueblo).

In addition to the exhibit, the museum is also planning some live and

 ?? COURTESY RICK ROMANCITO ?? “Shichcheii Charpentie­r Azul, 2021” by Wayne Nez Gaussoin (Picuris Pueblo, Diné). This wearable work consists of 18kt gold, sterling silver, stainless steel, copper, patina and wood. ’Shicheii is Navajo for grandfathe­r, and Charpentie­r is French for carpenter. I reflected on my heritage identity in looking at two time periods and using a World War II scroll saw and a Euler Spiral,’ Gaussoin states.
COURTESY RICK ROMANCITO “Shichcheii Charpentie­r Azul, 2021” by Wayne Nez Gaussoin (Picuris Pueblo, Diné). This wearable work consists of 18kt gold, sterling silver, stainless steel, copper, patina and wood. ’Shicheii is Navajo for grandfathe­r, and Charpentie­r is French for carpenter. I reflected on my heritage identity in looking at two time periods and using a World War II scroll saw and a Euler Spiral,’ Gaussoin states.

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