The Times Herald (Norristown, PA)
‘Isolation Stories’ turns lens on actors at home, pandemic
LOS ANGELES » When Jeff Pope and his family were sickened by COVID-19, getting well was the first concern. That accomplished, the British writer-producer decided to make timely art out of the pandemic’s burdens.
“It really drove home to me how something like this was being played out in millions of homes. We didn’t really have the big picture, just what was in front of us,” Pope said. “That was the inspiration for ‘Isolation Stories,’ which was a kaleidoscopic approach to what was happening.”
In the limited series streaming on BritBox, a quartet of 15-minute films offer slice-of-life takes on people under the quarantine’s thumb, including a pregnant woman abandoned by her married lover; a son tending his ill father; a hypochondriac in counseling and a family man with a crumbling marriage.
To make the series, Pope reached out in late March to writers, directors and actors who also wanted to add their voices to the virtual public square and, most importantly, do so quickly.
“We wanted to film stories about lockdown in the middle of lockdown, in the teeth of it, and for it to be broadcast while we were still experiencing it,” Pope said. “So it really is a time capsule, accurately reflecting what we were going through for that period, hopefully brief period, in time.”
Eddie Marsan (“Ray Donovan,” “Deadpool 2”), who plays the embittered spouse in one of the selfcontained episodes, said he welcomed the project as “something we could be proud of doing.”
“I thought it was really important to give testimony of what it was like to live within isolation, and it wouldn’t have been as emotive testimony if it was done in six months’ time,” he said.
But the challenges were apparent: how to tape with social distancing and safety paramount, and produce more than video selfies. The solution required ingenuity and household cooperation.
After enlisting family members to play supporting roles as needed, someone had to serve as camera operator. In the episode starring a pregnant Sheridan Smith (“Doctor Who”) as the single mom-to-be, the job went to Smith’s partner, Jamie Dorn. (The couple have welcomed their infant son.)
Sanitized camera equipment was delivered to the house, Dorn got a crash course in handling it, and then the production became a long-distance affair.
“The crew were scattered to the four corners. ... There was a director in London, a DOP (director of photography) in Manchester and a first assistant director in Ireland,” Pope recalled. Production was guided from what he called the same multiple “little boxes” that any conference call user knows too well.
It turned out to be unexpectedly gratifying, he said, engendering “a really amazing sense of community, more so, really than even on a normal film set, because all of us could see everything all the time.”