The Times Herald (Norristown, PA)

‘Trial of the Chicago 7’ takes top honors at SAG Awards

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LOS ANGELES >> The starry cast of Aaron Sorkin’s 1960s courtroom drama “The Trial of the Chicago 7” took the top prize Sunday at a virtual Screen Actors Guild Awards where actors of color, for the first time, swept the individual film awards.

The 27th SAG Awards, presented by the Hollywood actors’ guild SAG-Aftra, were a muted affair — and not just because the red carpet-less ceremony was condensed to a pre-recorded, Zoom-heavy, one-hour broadcast on TBS and TNT. The perceived Academy Awards frontrunne­r — Chloé Zhao’s “Nomadland” — wasn’t nominated for best ensemble, making this year’s postponed SAG Awards less of an Oscar preview than it is most years.

Still, the win for Netflix’s “The Trial of the Chicago 7” marked the first time a film from any streaming service won the guild’s ensemble award. Written and directed by Sorkin, “The Trial of the Chicago 7” had been set for theatrical release by Paramount Pictures before the pandemic hit, leading to its sale to Netflix.

The streamer is still after its first bestpictur­e win at the Oscars.

Frank Langella, who plays the judge who presided over the 1969 prosecutio­n of activists arrested during the 1968 Democratic National Convention, drew parallels between that era’s unrest and today’s while accepting the award on behalf of the cast.

“‘God give us leaders,’ said the Rev. Martin Luther King before he was shot down in cold blood on this very date in 1968 — a profound injustice,” said Langella, citing events leading up to those dramatized in “The Trial of the Chicago 7. “The Rev. King was right. We need leaders to guide us toward hating each other less.”

The win came over two other Netflix releases — “Ma Rainey’s Black Bottom” and “Da 5 Bloods” — as well as Amazon’s “One Night in Miami” and A24’s “Minari.” Had

Lee Isaac Chung’s Korean-American family drama “Minari” won, it would have been the second straight year a film largely not in English won SAG’s top award. Last year, the cast of “Parasite” triumphed, becoming the first cast from a non-English language film to do so.

The SAG Awards are a closely watched Oscar harbinger. Actors make up the largest branch of the Academy of Motion Pictures Arts and Sciences, and SAG winners often line up with Oscar ones. Last year, “Parasite” went on to win best picture at the Academy Awards, and all of the individual SAG winners — Renée Zellweger, Brad Pitt, Laura Dern, Joaquin Phoenix — won at the Oscars, too.

Those awards this year went to a group entirely of actors of color, potentiall­y setting the stage for a historical­ly diverse slate of

Oscar winners: the late Chadwick Boseman, best male actor for “Ma Rainey’s Black Bottom”; Viola Davis, best female actor for “Ma Rainey’s Black Bottom”; Yuh-Jung Youn, best female supporting actor for “Minari”; and Daniel Kaluuya, best male supporting actor for “Judas and the Black Messiah.”

Of those, Davis’ win was the most surprising in a category that has often belonged to Carey Mulligan (“Promising Young Woman”) or Frances McDormand (“Nomadland”). It’s Davis’ fifth individual SAG award.

The Academy Awards frontrunne­r, “Nomadland” missed out on a best-ensemble nomination possibly because its cast is composed of largely non-profession­al actors. Zhao’s film previously won at the highly predictive Producers Guild Awards, as well as at the Golden Globes.

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