The Times Herald (Norristown, PA)

Manufactur­ers struggle to keep pace with vinyl record demand

- By David Sharp

The arrival of the compact disc nearly killed off record albums, with vinyl pressing machines sold, scrapped and dismantled by major record labels.

Four decades later, with resuscitat­ed record album sales producing doubledigi­t annual growth, manufactur­ers are rapidly rebuilding an industry to keep pace with sales that reached $1 billion last year.

Dozens of record-pressing factories have been built to try to meet demand in North America — and it’s still not enough.

The industry “has found a new gear, and is accelerati­ng at a new pace,” said Mark Michaels, CEO and chairman of United Record Pressing, the nation’s largest record producer, in Nashville, Tennessee.

Demand for vinyl records has been growing in double-digits for more than a decade and mass merchandis­ers like Target were bolstering their selection of albums just as the pandemic provided a surprising jolt. With music tours canceled, and people stuck at home, music lovers began snapping up record albums at an even faster pace.

Record album sales revenue grew a whopping 61% in 2021 — and reached $1 billion for the first time since the 1980s — far outpacing growth rates for paid music subscripti­ons and streaming services like Spotify and Pandora, according to the Recording Industry Associatio­n of America.

Record albums nearly spun into oblivion with sales overtaken by cassettes before the compact discs brushed both aside. Then came digital downloads and online piracy, Apple iPods and 99cent downloads. Streaming services are now ubiquitous.

But nostalgic baby boomers who missed thumbing through record albums in their local record stores helped to fuel a vinyl resurgence that started about 15 years ago.

It coincided with the launch of Record Store Day to celebrate indie record stores, said Larry Jaffee, author of “Record Store Day: The Most Improbable

Comeback of the 21st Century.”

These days, though, it’s more than just boomers.

A younger generation is buying turntables and albums — and cassette tapes, too — and a new generation of artists like Adele, Ariana Grande and Harry Styles have been moving to vinyl, Jaffee noted.

In Pittsburgh, taxi driver Jamila Grady is too young, at age 34, to remember the heyday of record stores.

But she finds records to be irresistib­le. She created wall art from some of the album covers from nearly 50 albums she’s bought since 2019, starting with “Lemonade” by Beyoncé. She acknowledg­es it’s an indulgence since she already listens to music through Soundcloud, Apple Music and Pandora.

“For record players, there’s something so beautiful about taking the record, putting it on the payer, and dropping the needle,” she said.

Manufactur­ers had to start nearly from scratch.

The major labels shuttered their plants long ago, but new ones are coming online. Record makers launching over the last 10 to 15 years include Toronto-based Precision Record Pressing, Memphis Record Pressing, Cleveland’s Gotta Groove Records and Kansas’ Quality Record Pressing.

Jack White of White Stripes, opened his own vinyl pressing plant, Third Man Pressing, in 2017 in Detroit, and pleaded with the major record labels to reopen manufactur­ing facilities.

There are now about 40 plants in the U.S. — most of them smaller operations — but challenges remain.

 ?? MARK HUMPHREY - THE AP ?? Freshly pressed vinyl records are produced in a stamper at the United Record Pressing facility June 23, in Nashville, Tenn.
MARK HUMPHREY - THE AP Freshly pressed vinyl records are produced in a stamper at the United Record Pressing facility June 23, in Nashville, Tenn.

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