Ornate NYC theater, used for years as a gym, to be restored
NEW YORK » For years, Long Island University’s basketball team played in a French Baroque movie palace in downtown Brooklyn.
The gilded wall fountains, plastered statuettes and towering, one-of-akind Wurlitzer organ pipes of the historic Paramount Theater were preserved by the university when it converted the big hall into a gym in the 1960s.
Now, a partnership of New York developers is returning the theater, which once hosted the likes of Frank Sinatra, Miles Davis, Dizzy Gillespie and Chuck Berry, to its former musical glory. They ceremonially kicked off the plan this past week by lowering the scoreboard from the ornately plastered ceilings while the thundering organ vibrated the floorboards.
“It has great bones,” said John Fontillas, whose architecture firm is involved in the project. “We’re trying to bring it back to what it was originally designed to do.”
A partnership of Barclays Center developer Bruce Ratner, BSE Global and Onexim Sports and Entertainment will transform the theater into a venue for up-and-coming musicians, as well as performances, comedy and sporting events.
They will remove the basketball court and bleachers to create space for 3,000 seats. Plans also include an “iconic” theater entrance with a lighted marquee, an LED system for mood lighting and a state-of-the-art sound system.
BSE Global, which is leading the renovation project, first announced it in 2015 and planned construction for last fall. But it was delayed it until the end of this school year to minimize disruptions to students. Acts could begin playing in the theater as early as mid-2019.
The Paramount opened in 1928 with the silent film “Manhattan Cocktail” and a live variety show. At the time, it seated over 4,000 people and was one of the largest theaters in New York.
While the exterior was a drab art deco office building, the interior was opulent. Fountains with goldfish greeted dressed-up theatergoers. The wall fountains, plaster decorations, and velvet draperies transported visitors into a French Baroque fantasyland. It also featured cutting-edge technology of the time, including a basement cooling system that was a precursor to air conditioning and a color organ that cast light onto the walls to match the mood of the performances.
The architects overseeing the renovation said they are taking inspiration from the combination of technology with classic architecture. Fontillas, a partner with H3 Hardy Collaboration Architecture, said it will “have a little bit of that razzle dazzle that was back in the day, but with a contemporary feel.”