The Trentonian (Trenton, NJ)

Kevin Hart’s ‘The Upside’ unseats ‘Aquaman’ in $19.6M debut

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NEW YORK >> Kevin Hart isn’t hosting the Oscars, but he’s got a number one movie. “The Upside,” starring Hart and Bryan Cranston, surpassed expectatio­ns to open with $19.6 million in ticket sales, according to studio estimates Sunday.

The strong performanc­e of “The Upside” pushed “Aquaman” to second after the aquatic superhero’s three-week reign atop the North American box office. Warner Bros.’ “Aquaman” still passed $1 billion worldwide over the weekend, becoming the first DC Comics release to reach that mark since 2012’s “The Dark Knight Rises.”

“The Upside” opened on the heels of several weeks of Oscar drama surroundin­g Hart. The comedian last month withdrew from hosting the Academy Awards , just days after being named emcee, when he initially refused to apologize for years-old homophobic tweets.

On the publicity trail for “The Upside,” Hart repeatedly dismissed the Oscar controvers­y, saying he was “over it,” while flirting with the possibilit­y of returning as Oscar host — something for which talkshow host Ellen DeGeneres, in particular, advocated.

Whether all that attention helped raise the profile of “The Upside,” a remake of the 2012 French comedy “The Intouchabl­es,” was difficult to extrapolat­e, though it surely didn’t hurt. Ticket sales were almost twice industry forecasts. The film received poor reviews (40 percent fresh on Rotten Tomatoes) and was slammed by some critics for trading on the kind of gay panic humor that Hart was forced to apologize for.

Neil Burger’s film, which cost about $35 million to make, stars Hart as an ex-con who becomes a caretaker for a physically disabled author (Cranston). It was originally to be distribute­d by the Weinstein Co. Harvey Weinstein premiered the film at the 2017 Toronto Internatio­nal Film Festival just weeks before the many allegation­s of sexual harassment surfaced against the movie mogul.

STX Entertainm­ent picked up the movie, which on Sunday handed the five-year-old startup studio its first no. 1 release at the box office. Launched in 2014 with a mission to make the kind of mid-budgeted, star-driven films the studios have increasing­ly abandoned, STX has had some successes (“Bad Moms,” “The Foreigner,” the critically acclaimed “The Edge of Seventeen”) but has often struggled to find breakout hits. Last year’s “The Happytime Murders,” with Melissa McCarthy, was one of the 2017’s most glaring flops.

STX’s Motion Picture Group Chairman Adam Fogelson pointed to strong audience reaction (an A CinemaScor­e) and downplayed any effect of the Oscar chatter on “The Upside,” noting that Hart “is in the culture constantly for tons of stuff.”

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