The Trentonian (Trenton, NJ)

HAIGHT-ASHBURY and ALONG CAME JONES

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BIDEN: “All of a sudden, ‘Along Came Jones,’ as that old song goes. Along came Trump,” Biden told a group of Democrats in Las Vegas in July.

“Just like what happened in my generation. My generation was dropping out. My generation, in the late ‘60s, when I was graduated from school, said ‘No, no. Go to Haight-Ashbury. Drop out. Trust no one over 30. Don’t be engaged.’”

CONTEXT: In this salad of 50- and 60-year-old pop culture references, Biden was riffing on a late 1950s R&B tune and the countercul­ture a decade later.

“Along Came Jones,” was a 45 — a single — on the longdefunc­t ATCO label that barely charted after its release in 1959, when Biden was a sophomore in high school. He used it as a segue to the defining moment for voters today, the election of President Donald Trump.

But then Biden goes on with a litany of references to the countercul­ture movement of the late 1960s, when Biden was in college and law school.

“Dropping out” was a reference to psychedeli­c therapy advocate Timothy Leary, the late University of California­Berkeley psychologi­st who urged the young in 1966 to “Turn on, tune in and drop out,” chiefly with the help of LSD.

Haight-Ashbury was the symbolic center of the movement, a corner of a low-rent San Francisco neighborho­od where thousands of aimless youth flocked for community, but often found instead poverty and drug addiction. An up-and-coming band, The Grateful Dead, was a regular act in neighborho­od basements.

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