The Week (US)

Fahrenheit 11/9

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Directed by Michael Moore Michael Moore’s new documentar­y is “one of the most urgent films ever made,” said David Edelstein in New York magazine. The Oscar-winning polemicist has made tauter movies, but he’s rarely been as alarmed or as original as he proves to be in this busy, crowded diatribe about how America wound up electing Donald Trump as president. It’s “something of a bait-and-switch”—a movie about the Trump era that treats President Trump as symptom rather than cause of a democracy in grave crisis. It’s also funny before it turns abruptly sobering and then spins out a call for activism. An extended detour about the ongoing water crisis in Flint, Mich., proves unexpected­ly effective, said Owen Gleiberman in Variety. Moore’s point— “a profound one”—is that the government we count on for basic protection­s is being dismantled everywhere by corporate interests. But then he embarks on a number of tangents, including an “utterly specious” argument that the mainstream media has been proved untrustwor­thy by #MeToo revelation­s about certain stars. Though Moore eventually compares Trump’s rhetoric with Hitler’s, “he reserves his most angry, pointed, and well-constructe­d criticisms” for establishm­ent Democrats, including Barack Obama, said Alissa Wilkinson in Vox.com. Do something, he’s urging his liberal audience. In the end, “there’s something in this film to irritate everyone.”

 ??  ?? Moore floods the zone.
Moore floods the zone.

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