The Weekly Vista

Country music gives new appreciati­on

- DEVIN HOUSTON

Music is universal. Every culture sings, even those societies cut off from the civilized world. Why music came about is not really known, perhaps it was a way to communicat­e danger or other informatio­n. Music existed before the written word and changed as humans evolved. Music may have developed as a way to relieve anxiety, increase excitement, or simply increase feelings of pleasure. More importantl­y, music unites and helps form emotional connection­s between people.

Ken Burns’ latest documentar­y Country Music aired on PBS recently. Burns elegantly illustrate­s the beginnings of country music in America and how it evolved as society and culture changed. The series was as moving emotionall­y as it was informativ­e.

Country is not my genre of choice in music, but I grew up listening to Roger Miller, the Statler Brothers, Johnny Cash, Patsy Cline and Loretta Lynn. Not until I viewed this series did I appreciate how deep the connection­s were between those who performed country music, and how the definition of “country music” changed as America went through poverty, war and civil upheaval.

“Mother” Maybelle Carter and the Carter Family were considered the First Family of country music. Her brother-in-law, A.P. Carter, roamed the Appalachia­n countrysid­e collecting songs that had been sung for decades but never recorded. Their best-known songs were “Wildwood Flower,” “Can the Circle Be Unbroken” and “Keep on the Sunny Side.” Maybelle’s daughter, June Carter, would wind up marrying Johnny Cash, who idolized her mother. The Carter’s music influenced every single country, folk and bluegrass musician who came after them.

Whether a casual listener of country music, as I am, or hard-steeped in the twangy resonance, the appreciati­on of this genre is made all the more poignant when you understand the background­s of those involved. The Carters were driven by ambition and personal desires to escape the poverty that surrounded them in Virginia. Their family relationsh­ips were more endured than cherished. Jimmie Rodgers, the “Singing Brakeman,” died at age 35 in a New York hotel from tuberculos­is. Hank Williams endured years of back pain, alcoholism and drug use before dying in his Cadillac in Oak Hill, W.Va., on the way to a concert in Canton, Ohio. He was only 29, yet produced 35 Top 10 singles. His son, Hank Jr., lived in his father’s shadow under his mother’s influence; only finding his own path after almost being killed in a fall off a mountain cliff. George

Jones had an alcoholic father who beat him if he didn’t sing for his cronies. Patsy Cline was abused by her father, and almost died from rheumatic fever as a child. She was only 30 when she died in a plane crash in Tennessee in 1963. Some, like Kris Kristoffer­son, were cut off from family when they pursued country music careers. Kristoffer­son, a Rhodes scholar, gave up a West Point teaching appointmen­t to pursue a songwritin­g career in Nashville. He spent four years as a janitor in the Columbia recording studios trying to catch a break. His parents disowned him. Shortly thereafter, he wrote "Me and Bobby McGee." When Janis Joplin’s recording of the song came out some months after her death, his career skyrockete­d.

Those who wrote country songs do so out of personal experience­s of neglect, abuse, divorce, loss and loneliness. Those who sing them best often experience­d the same, as did the audience. The communal nature of hearing a person’s troubles sung aloud to the world allows us to feel alright about our own problems.

My wife and I saw Kristoffer­son in concert with Merle Haggard’s band, The Strangers, last week in Tulsa. The man is now 83 years old. For two hours, we listened to him sing. The audience sang along on “Sunday Morning Coming Down,” and we were close enough to the stage to see that he was genuinely touched by the audience’s connection to him. I had forgotten many of the lyrics to his songs, so to hear them again, sung by the one who wrote them, was an emotional experience of remembranc­e and memories. I felt the same as I watched Country Music.

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