USA TODAY International Edition
GOOD GRIEF!
‘ A CHARLIE BROWN CHRISTMAS’ TURNS 50
For many of us, A Charlie Brown Christmas is as synonymous with the holidays as ice skating, school pageants and finding the perfect tree.
It’s a gift that TV viewers have been unwrapping since Dec. 9, 1965, when the animated special premiered to boffo ratings on CBS, its perennial home until 2000, when ABC acquired the Peanuts classic ( along with It’s the Great Pumpkin, Charlie Brown and A Charlie Brown Thanksgiving). That the special has endured for half a century is not surprising, given Charles Schulz’s comic strip creations’ stature in popular culture ( revived on the big screen last month in The Peanuts Movie, which has earned $ 116.8 million).
“Charlie Brown has always been part of the fabric. It doesn’t seem dated. You wouldn’t know when it was made, really,” says TV historian Tim Brooks. Like other classic holiday movies, “it’s a reminder of constancy and tra- dition. If you think about it, we don’t change the ornaments on the Christmas tree every year, and these are the ornaments on America’s Christmas tree.”
Created 15 years after the first Peanuts comic strips were published in 1950, Christmas picks up as Charlie Brown bemoans the holiday’s commercialization and questions its true meaning. After a visit to Lucy’s psychiatry booth, he decides to direct the school play and searches for the “biggest aluminum tree” he can find — only to be jeered by the other kids when he returns with a small, sparse sapling.
Featuring Vince Guaraldi’s iconic jazz score and an overt religious message from the blanket-carrying Linus, who quotes the Bible, Christmas continues to resonate because of its cross- generational appeal, says executive producer Lee Mendelson, who created it with Schulz and director Bill Melendez. ( Schulz died in 2000; Melendez died in 2008.)
“Schulz said there’s always a market for innocence in this country,” Mendelson says. “We still get letters where people say it’s the one time a year when the whole family can get together and watch.”
Fans also can relate to the glass- half- empty leader of the Peanuts gang. “Schulz always said he felt like Charlie Brown was a kid you’d like to have as a nextdoor neighbor,” Mendelson says. “Everybody identifies with him. He has struggles and problems, and we all have struggles and problems. But you get up the next day, and you keep moving on.”
When Christmas returned on Monday, it followed an anniversary show, It’s Your 50th Christmas, Charlie Brown. Hosted by Kristen Bell, the retrospective featured Guaraldi’s classic tunes as well as performances by Sarah McLachlan, Boyz II Men, Pentatonix, and Kristin Chenoweth, who won a Tony Award in 1999 playing Charlie’s sister, Sally, in the Broadway revival of You’re a Good Man, Charlie Brown.
Chenoweth participated because of her history with the Peanuts characters on stage and at home, watching Christmas every year with her family:
“It’s part of tradition — not just for my family but for so many.”