USA TODAY International Edition
Whitewashing charges haunt ‘ Ghost’
The sci- fi action film Ghost in
the Shell arrives in theaters Friday with social media talking more about who’s not starring in the movie than who is.
Issues with the big- screen adaptation of the popular Japanese manga starring Scarlett Johansson were raised when she was cast two years ago. Since then, concerns about whitewashing and the appropriation of Asian culture have dogged high- profile projects such as Doctor Strange, The Great Wall, upcoming manga adaptation Death Note and the Netflix series Iron Fist.
“We’ve been having this conversation in our circles for decades,” says Keith Chow, editor and co- founder of The Nerds of Color website. “The fact that it’s now more mainstream, that the creators have to address those issues, that’s actually a good thing.”
The bigger question for Hollywood, though: Does all that online outrage really matter to moviegoing audiences as a whole?
“It absolutely doesn’t,” says Paul Dergarabedian, senior media analyst for com Score. “It’s good that people can make their issue with the movie known via social media. But ultimately, people vote with their dollars.”
Even though such casting courts controversy, a high- profile A- lister like Johansson makes financial sense, says Jeff Bock, senior box- office analyst for Exhibitor Relations: The actress is no stranger to action as a stalwart of the Avengers films, plus her 2014 movie Lucy was a $ 126.7 million hit. “There are going to be people who wave flags, but ultimately it comes down to what sells this film, and Scarlett Johansson has done it before and she can do it again.” Ghost in the Shell, directed by Rupert Sanders, features Johansson as The Major, the cyborg commander of a task force hunting cybercriminals, a character who is depicted as Asian in the original source material, animated films and video games.
Critics of the casting say an Asian or Asian- American actress should have been tapped for the role. “It ignores the fact that there are Asian- American people in the world,” says Chow.
Within two weeks of Johansson’s casting in 2015, more than 15,000 people signed an online petition to replace her with an Asian actress. Recently, the actress has been defending her role, telling Marie Claire: “Diversity is important in Hollywood, and I would never want to feel like I was playing a character that was offensive.” But the Internet hasn’t let up: Earlier this month, a marketing site for the movie backfired, turning into a place to create mocking memes.
Dergarabedian points out that the more people talk online about
Ghost in the Shell ( whether positively or negatively), the more it increases awareness and could add to the bottom line. But the quality of the movie will be the deciding factor in its success or failure, “not all the controversy or any of that extraneous noise or conversation.” It’s expected to debut just north of $ 30 million, according to Dergarabedian — less than Lucy’s $ 43.9 million opening.
Doctor Strange was dinged for casting Tilda Swinton in the role that was an Asian male character in the comics, but the movie was well- received by critics and audiences and made $ 233 million domestically. On the other hand,
The Great Wall put Matt Damon at the center of a majority Asian cast, received poor reviews and tanked here with $ 45 million ( though it racked up $ 171 million in China).
Regardless of whether such movies ultimately succeed, these kinds of discussions are vital to Chow and other Asian- American activists such as Shaun Lau, writ- er and host of the film/ social issues podcast No, Totally!
“As someone who feels extremely marginalized in the real world and believes a lot of that has to do with the inaccurate or nonexistent representation in a lot of these properties, most conversations are going to end up in something good happening, especially if they allow us as Asian Americans to get our voices out there,” Lau says.
There’s incentive for the movie business to listen. According to a 2016 Motion Picture Association of America annual report, Asian Americans are the fastest- growing group of frequent moviegoers — though they account for 8% of the population, they comprise 11% of frequent moviegoers.
Accusations of Hollywood whitewashing could get under the skin of a town that relies on its liberalism, Lau says.
“The establishment wants to be seen as progressive and welcoming and not racist,” he says. “That is going to be very difficult if they continue doing things that are called out as racist by Asian Americans.”