USA TODAY International Edition
Buffalo is still building on architecture tourism
Hotel Henry is only the latest structure to reflect on gifts from the Big Three
BUFFALO Crazy about American architecture? This is where to see commercial, residential and institutional buildings by America’s most revered trio of architects — H. H. Richardson, Louis Sullivan and Frank Lloyd Wright — all built during the city’s Gilded Age heyday. And the classic downtown is loaded with more fabulous survived/ revived structures saved from the wrecking ball.
Buffalo has long trumpeted architectural tourism, but upping that game this summer is the opening of Hotel Henry, an upscale hotel 3 miles north of downtown. It’s retrofitted into a hulking monolith built in the 1870s as the Buffalo State Asylum for the Insane.
Add an after- dark thunderstorm and the exterior of the four- story, twin- towered main building looks ready to host cast and crew for a horror movie. Inside, though, common areas already are the domain of wedding events.
Local preservationists acquired the derelict property from the state and partnered with a local hotelier that has navigated National Historic Landmark restrictions to launch a chic “urban resort conference center.” High- ceiling rooms are fully wired and dressed in cutting- edge modern. Two or three former patient lodgings have been combined to form each new guest room. Wide and sprucedup corridors lead to small common areas and then to larger open areas in the towers.
The hotel occupies a third of the asylum, which at peak capacity housed about 2,000 patients and staffers.
Three things point to The Henry’s asylum origins: The still- in- place preservationmandated floor plan makes for a maze worthy of any hospital. Original wooden hallway floors have, in places, necessarily been replaced. And — when dawn arrives — the amount of natural light is spectacular.
The old asylum was progressive in its design. For fire- safety reasons, wings were segmented into “pavilions” ( hence the maze and scattered common areas); light was thought to be therapeutic for patients, so windows are enormous — so tall in high- ceiling guest rooms that blinds are remote- controlled.
Acres of green space abound outside the windows.
To pull this off 150 years ago, Henry H. Richardson was brought in to design the asylum. He is considered the first truly American architect; while the exterior looks “Ivanhoe” medieval, his tweaked Romanesque Revival design stressed functionality and native materials. ( The exterior is New York State sandstone.) The hotel is named The Henry in his honor.
To plan the grounds, Richardson turned to Frederick Law Olmstead, considered the father of American landscape architecture, who designed Manhattan’s Central Park, the Biltmore Estate in North Carolina, and more.
THE WRIGHT STUFF
Buffalo’s salad days were between the Civil War and World War I, when the city was America’s eighth- biggest and local big shots had a yen for promoting it. The Larkin soap empire was a major player in the early 1900s, and one of its top executives wanted to build a home near Richardson’s asylum, in an area Olmstead planned. He chose a young Midwestern architect whose design did not please neighbors who lived in Queen Anne- style dwellings in the high- rolling Parkside area.
Frank Lloyd Wright’s Darwin Martin house still stands out —
a sprawling, low- slung two- story of Prairie School design. One of Wright’s first major projects in the eastern U. S., it was the flexing ground for touches Wright refined on later iconic projects.
The Martin complex holds the main house, two other original buildings and three reconstructions.
On guided tours from the new visitor center, you see Wright’s plan to integrate living space with the outdoors. A pergola at the back of the main residence leads to a conservatory flanked by a carriage house and Martin’s sister’s smaller dwelling.
Though the Martin complex draws more than 30,000 visitors a year, it’s off the radar for many
Wright fans because it was abandoned for a period.
That makes the 15- year restoration all the more interesting: Materials, technologies and artisanship had to match the 1907 standards. Woodwork in the main house had to be white oak, stained. Special roof tiles had to be imported from France. A glass facing on a fireplace had been crafted by a long- gone company in Chicago; restorationists got what they required from that firm’s still- in- business centuryold rival. For reconstructed exteriors, custom- molded bricks of varying hues were pre- palliated to copy Wright’s arrangement.
Wright was difficult to work with, the Martins learned. He demanded and received final say on décor and furniture, what grew in the garden, and so on. As house executive director Mary Roberts says, “Frank Lloyd Wright was a freak for the details, but the genius is in the details.”
The soap magnate nonetheless remained friends with Wright — and hired him 20 years later to design the Martins’ summer home, on a bluff just south of Buffalo. Though smaller and less extravagant, Graycliff is a stunning relic another preservation group is restoring.
THE PRESERVED DOWNTOWN
The link between Romanesque Revival Richardson and radical Wright is Louis Sullivan — the “father of the skyscraper” and the third icon of American architecture. He learned from Richardson and mentored Wright.
Sullivan’s main accomplishment in downtown Buffalo is the Guaranty Building ( 1896), a 13- story, steel- frame masterpiece. The building was threatened with demolition in the 1970s and renovated in 2008.
Take a walking tour of downtown; you can see more than 50 notable buildings from the 1830s to the 1980s. Explore Buffalo’s Masters of American Architecture tour visits 10 to 12 of them. Among the coolest:
The massive Daniel Burnham- designed 1896 Ellicott Square Building was billed at opening as the largest commercial office building in the world and contained restaurants and an early cinema for a reason, Explore Buffalo director Brad Hahn says: “It was promoted that people could do two days of work in one day because they didn’t need to go far from their desks.”
The dome of the Buffalo Savings Bank ( 1901) retains its original glint from 140,000 sheets of gold leaf. Across the street, the 1912 Electric Tower remains illuminated at night. It was inspired by its namesake Electric Tower at the 1901 world’s fair.
That 1901 Pan- American Exposition is where anarchist Leon Czolgosz assassinated President William McKinley.
uHahn notes that the Old County Hall is where McKinley’s body lay in state — and where Czolgosz was tried and sentenced.
Buffalo’s salad days were between the Civil War and World War I, when the city was America’s eighth- biggest and local big shots had a yen for promoting it.