USA TODAY International Edition

Lawrence lets it fly on nudity, selfies and ‘Sparrow’

Oscar winner navigates fame with the agility of a ballerina

- Andrea Mandell

BEVERLY HILLS – Jennifer Lawrence will absolutely crush you in an Instagram animal-off.

“I already have you beat because I have a (expletive) deer licking a kitten and I have a (expletive) wallaby eating some chips,” says Lawrence, 27, grabbing her phone at a corner table at the Beverly Hills Hotel after a mention is made of being attached to a certain baby hippo named Fiona.

There are zero cuddly moments in Red Sparrow, Lawrence’s new psychologi­cal thriller (in theaters Friday), in which she plays Dominka Egorova, a Bolshoi ballerina-turned-spy who is trained to seduce and ensnare her targets. The film is based on the 2013 novel of the same name by Jason Matthews, a former CIA agent who wrote of a real Russian program called Sparrow School.

The film marks a major shift for Lawrence, who has spent years taking on emotionall­y dense roles while steadfastl­y avoiding jobs that rely on sexuality and nudity. The closest she had come, she says, is during a moment from her last movie, mother!, in which her sweater is ripped by rabid fans who descend on her home with Javier Bardem, representi­ng the destructio­n of Mother Earth. “(Director) Darren (Aronofsky) showed me the footage,” which revealed her bra underneath. “I’m like, ‘Well, that’s not violating enough,’ so I took my bra off. So that was kind of a moment for me. I was like: ‘My boob’s out! My boob’s out, I’m on set!’ But up until that point I had never really done anything that sexual.” Francis Lawrence, who directed three of the dystopian films that launched Lawrence to internatio­nal stardom, says he began to broach the idea of Red Sparrow during their last Hunger Games promo tour in

2015.

“I remembered conversati­ons we had when she was 21 or 22 making Hunger Games, when she said she wasn’t really interested in making movies with nudity or any sort of overt sexuality,” he says.

They talked openly about it, and when the script was ready, so was Lawrence. “Obviously, it’s very sexy, and I wasn’t quite sure yet where my head was on that, so I just wanted to talk about it (with Francis Lawrence),” she says. “We both knew I was going to have to decide to do the scenes as they’re written or another actress should do the role. And here I am. I’m still alive.”

The director showed his star the final cut of Red Sparrow before anyone, including producers and the studio, “so she had the right to yank anything out that she didn’t want to (show) . ... She never did it, but I gave her that option.”

Red Sparrow arrives in the middle of an intensifyi­ng Me Too movement, with conversati­ons growing about consent. “It used to be normal if a man who was in a position of power (over) me, an executive, could put his hand on my leg. And now I feel like they won’t be doing that to young people,” Lawrence says.

She still has no idea why disgraced mogul Harvey Weinstein, who produced

Silver Linings Playbook, left her alone. “You look at these women whose careers have been absolutely dismantled by Harvey Weinstein, because he picked them as they were coming up, before they were huge. And then he would spread rumors through the studios that they were crazy, and they wouldn’t get hired and their careers were being ruined and they had no idea why. I don’t know why them and not me. I don’t have, like, a predatory mind, so I don’t know what those (kind of men) are looking for.”

Weinstein aside, Lawrence has started drawing more careful lines around her personal life. She’s no longer taking selfies with fans. She’s grateful to them, she says, but it became too much.

Recently, “because I’m single, somebody was talking about setting me up with someone. And she’s like, ‘You need to be with somebody who’s, like, in tech.’ ” Lawrence raises an eyebrow. “Just while we’ve been sitting at this dinner, how many people have come up to me? Like five, six?”

Lawrence sips her tea. “I just had to carve out a life that was better for me, with less anxiety.”

But trusting is tricky. The night before, Lawrence was at Ellen DeGeneres’ birthday party, cutting loose in a room of fellow A-listers. Candid photos of Lawrence appeared in a tabloid the next day.

Recently, Joel Edgerton, who plays the FBI agent seduced by Dominika, watched with annoyance when Lawrence was forced to explain that she chose not to wear a coat over her Versace dress during a brief photo shoot with the cast last week in London.

“Does everything she says or does have to be turned into some kind of controvers­y?” he asks. “I think it would be a shame if Jen started to build a wall or put filters up. That’s just one part of ... her spirit that I think everybody loves. Now, it’s sort of mutated ... into the thing that people like to criticize, and I think they should all just shut up.”

Now, the actress is spending the rest of the year trying to get young people engaged with Represent.Us.

“What I’m trying to do and (the group’s) entire mission is bringing both sides of the aisle together on things we agree on,” she says.

Pretty normal, right?

And then she gets a text from Jennifer Aniston. “Look how normal I am,” she says with a grin.

“Does everything she says or does have to be turned into some kind of controvers­y? ... I think they should all just shut up.” Co-star Joel Edgerton

 ?? DAN MACMEDAN/USA TODAY ?? Jennifer Lawrence says after training for months to play a prima ballerina, “I was accomplish­ed enough to match a ballerina’s body, which led to me screaming that I needed a block of cheese.”
DAN MACMEDAN/USA TODAY Jennifer Lawrence says after training for months to play a prima ballerina, “I was accomplish­ed enough to match a ballerina’s body, which led to me screaming that I needed a block of cheese.”
 ?? MURRAY CLOSE/ TWENTIETH CENTURY FOX ?? Lawrence plays a former ballerina-turned spy in the thriller “Red Sparrow,” In theaters Friday.
MURRAY CLOSE/ TWENTIETH CENTURY FOX Lawrence plays a former ballerina-turned spy in the thriller “Red Sparrow,” In theaters Friday.

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