USA TODAY International Edition

‘Black Panther’s Coogler shares insights

Director says he never expected to live to 30

- Andrea Mandell

CANNES, France – Wakandan spirit has taken over the French Riviera. Here at the Cannes Film Festival,

Black Panther isn’t in competitio­n, but it’s still winning the popular vote.

How so? On Wednesday night, the festival screened the Marvel blockbuste­r free for the public on the packed beach. Then on Thursday, director Ryan Coogler spilled new film secrets at a Q&A packed to the gills with fans, including The Weeknd and 60 students Coogler invited himself.

“I’ve done a lot of film festivals and a lot of talks in the past, and sometimes it can be challengin­g when you’re in a talk and you don’t see faces that look like yours,” he said.

Coogler touched on racial themes embedded in Black Panther, including the fear of death as an African-American man.

“Death is constantly around us,” said the Oakland-born director. “To the point that when I turned 30, I almost had a crisis because I never imagined seeing myself that age.”

Coogler, 31, said that in America, “25 is the like magic number that you’re either dead or in jail. I saw a lot of good people who didn’t make it past that age, whether they went to prison or whether they were murdered.”

In approachin­g Black Panther, Coogler forged an understand­ing that the transatlan­tic slave trade “represente­d a kind of death for us, the death of who we were. And who we are now was born when they strapped chains on our ancestors . ... For me, (Black Panther) was about acknowledg­ing that but at the same time reclaiming that extended history as well.”

Here are other Black Panther facts

Coogler revealed:

‘The Godfather’ was a major inspiratio­n

When Coogler sat down with Marvel to discuss Black Panther, he says producers told him they were looking for a James Bond-style film. Casino Royale is Coogler’s favorite (and we know Shuri makes an awesome new Q), but as the director got deeper into the research stage, “we realized we’re making a film about a guy who lives in this secretive country no one really knows about; he works with his family and his father dies and he has to fill in (that) role. (And I went), this is like The Godfather! So I realized the best way for me to look at

Panther was as a crime film. “Once we pivoted and looked at The

Godfather films, that’s how a lot of things opened up for us. But it’s not something you can talk about; like, you’re making a superhero film but you want it to seem like The Godfather? I was worried about people thinking we were aiming too high.”

Coogler went off the grid his first time in Africa

For his Black Panther prep, Coogler toured Africa, “a place I wanted go my whole life,” he said. He began in South Africa but detoured from his itinerary.

“I was in these (fancy) Disneyappr­oved hotels, you know what I mean?” he said, to the crowd’s laughter. “So it felt like I was still in San Francisco or something.

“But the people who were working there, they seemed like my kind of people. I ended up hanging out with people who were loading bags, the bellmen and everything, (and) the people who worked in the kitchen . ... A bellman eventually invited me to come back and hang out and have dinner with his family.” At one point, “they passed a drink around and everyone would drink the same drink, an African beer. They called it their ‘ritual.’ But I’m like, ‘We pass the bottle around the same way!’ ” he said as the crowd cracked up.

Boseman may be a Jedi master

Even after he’d begun talks to direct

Black Panther, Coogler had yet to meet Chadwick Boseman, who originated the role in Captain America: Civil War. But the world wasn’t privy to this, so while Coogler was at a press day for Creed, T’Challa took matters in his own hands.

“I was doing a junket, so there was press crawling all over every floor of the hotel I was in,” he recalled. Boseman “did some kind of Jedi Black Panther ninja move and the next thing I knew, he was knocking on my door.”

The actor is 40 “but he doesn’t look it,” Coogler says. “He’s got the wisdom of a 60-year-old.”

That first meeting with Marvel surprised him. “I heard things about working with (Marvel), that it was a tough place for filmmakers,” he said. Coogler’s first meeting was with executive producer Nate Moore. “Nate’s black and he works at Marvel,” Coogler said. “So the first thing I said was like, ‘I didn’t know black people worked at Marvel!’ And he goes: ‘There’s plenty of us! You just don’t see us on TV.’ ”

He was overwhelme­d at ‘Black Panther’s premiere

But not for the reasons you’d expect. “It was intense, man. Ava (DuVernay) was there. Kendrick (Lamar) was there. George Lucas was there. So I was really nervous. But the most important thing was I had like 50 family members there, including my nearly 90-year-old grandmothe­r and my nearly 90-year-old father-in-law. So we had a lot of wheelchair­s . ... It was a lot of pushing wheelchair­s ... (maneuverin­g) a wheelchair (and going), ‘What’s up, Kendrick!’ ”

“25 is the like magic number that you’re either dead or in jail. I saw a lot of good people who didn’t make it past that age.” Ryan Coogler

 ?? CLEMENS BILAN/EPA-EFE ?? Director Ryan Coogler doesn’t need to have a film at Cannes to be a star. While he was there, he spilled some “Black Panther” secrets.
CLEMENS BILAN/EPA-EFE Director Ryan Coogler doesn’t need to have a film at Cannes to be a star. While he was there, he spilled some “Black Panther” secrets.

Newspapers in English

Newspapers from United States