USA TODAY International Edition

Recapping the top movies of 2019 so far

It’s been kind of a rough start at the box office, but 10 gems stand out

- Brian Truitt

Folks, let’s be real: It’s been kind of a rough year at the movies. ❚ Sequels are tanking left and right. No one’s seeing the good stuff. And there really hasn’t been anything astounding yet, whereas we’ve had “Black Panther,” “Get Out” and “Sing Street” (a personal fave) in recent years before all the Oscar-ready flicks hit later. ❚ Plenty of quality films are still to be had, though, especially if you know where to look: More than ever, it pays to go deepdiving on Netflix or poking around digital platforms for diamonds in the rough. ❚ While we’re waiting for a mega second half of the year, where “It: Chapter Two,” “Frozen II” and “Star Wars: The Rise of Skywalker” all loom as heavyweigh­ts, here are the best movies of 2019 so far (through June), ranked:

10. ‘John Wick: Chapter 3 – Parabellum’

Since we’re in the middle of the Keanuaissa­nce, it’d feel wrong not to have Keanu Reeves in here. His Duke Caboom is a highlight of “Toy Story 4” and he’s so good playing a meme-able, jerky version of himself in “Always Be My Maybe,” but there’s nothing quite like seeing him get knocked down and get up again – over and over – as the Chumbawamb­a of laconic, well-dressed, totally deadly assassins.

Where to see it: In theaters now

9. ‘Apollo 11’

Putting out a high-profile documentar­y for the 50th anniversar­y of the moon landing is the definition of a no-brainer. Director Todd Douglas Miller doesn’t phone it in, however, and creates something special by stripping down the story. Instead of recruiting an A-list narrator or enlisting talking heads, Miller chronicles the Apollo 11 mission using just archival footage and audio. It adds a new dimension to the famous event hearing Neil Armstrong’s “That’s

one small step for man” in the context of casual conversati­on or listening to chatty launch-control types break the news of the Chappaquid­dick incident to one another, without taking away any of the inherent drama of the moment.

Where to see it: On iTunes, Amazon and digital platforms

8. ‘Fast Color’

In this wholly original take on the superhero genre, Gugu Mbatha-Raw is magnetic as a former drug addict on the run from those trying to study her remarkable abilities, and her journey takes her back to her rural home, her estranged mother (Lorraine Toussaint) and daughter (Saniyya Sidney) – both of whom also can do extraordin­ary things. There’s an intriguing post-apocalypti­c scenario, and the superpower­s are neat to behold, though the real thrill comes from the magic of the main female characters mending what’s been shattered between them.

Where to see it: On iTunes, Amazon and digital platforms

7. ‘High Life’

Still scratching your head at the thought of Robert Pattinson as the new Batman? Watching this trippy, twisty sci-fi drama will get you up to speed on just how good an actor the “Twilight” vet really is. Pattinson plays a broody sort stuck in space who raises a baby and is the last surviving member of a cosmic mission to harness the energy of a black hole. (The guy also is used for his sperm, which is a much longer story.) Imagine Stanley Kubrick doing “The Martian” with the “Interstell­ar” effects budget, and you get a sense of director Claire Denis’ ambitious, slightly psychosexu­al thriller.

Where to see it: On iTunes, Amazon and digital platforms

6. ‘See You Yesterday’

Director Stefon Bristol’s excellent Netflix adventure (produced by Spike Lee) is on the surface an homage to “Back to the Future” – complete with a winking nod from Michael J. Fox in a cameo – featuring two super-smart African American teens (Eden DuncanSmit­h and Dante Crichlow) who invent time-travel technology. It becomes much deeper than that, however, as one of the kids desperatel­y tries to uses the gadgetry to save a loved one wrongfully shot by police. The film is an affecting and thought-provoking exploratio­n of a never-ending cycle of violence and the onus on young ones to help break it.

Where to see it: On Netflix

5. ‘Long Shot’

Politics seemingly is everywhere and inescapabl­e these days, but at least Charlize Theron and Seth Rogen’s romantic comedy is an appealing gem for all parties. He’s the schlubby journalist whose activism gets him in trouble, she’s the powerful secretary of state running for the Oval Office (vote Charlize 2020!), and, sure, you know they’ll fall for each other. But there’s an underlying

“we’re all in this together” vibe to the story that makes “Long Shot” feel so right in divided times.

Where to see it: In theaters now

4. ‘Avengers: Endgame’

Everyone knew Marvel’s most Marvel-ous superhero epic was going to make a gazillion dollars and have just as many characters. The fact that it was also surprising, tear-jerking, fist-pumping and actually somewhat coherent over the course of three hours is pretty much a miracle. “Endgame” paid off so much of 10-plus years of storytelli­ng before it unleashed a breathless final confrontat­ion with Josh Brolin’s A-list big bad Thanos, and wrapped up the fantastic arcs of Iron Man (Robert Downey Jr.) and Captain America (Chris Evans) with a chef ’s kiss.

Where to see it: In theaters now

3. ‘Wild Rose’

“Talented young singer trying to make it” is a familiar refrain: It hasn’t even been nine months since “A Star Is Born” rocked us hard. But Tom Harper’s rousing “Wild Rose” gives the trope a winning Scottish lilt and a spitfire in Irish breakout Jessie Buckley. With shades of Janis Joplin, her Rose-Lynn Harlan is a Glaswegian woman fresh out of the slammer with a big voice, even bigger dreams of being a Nashville country star, and two little kids who need her as much as she needs the Opry.

Where to see it: In theaters now

2. ‘Us’

Leave it to Jordan Peele to turn Hands Across America into something completely unnerving. A worthy followup to “Get Out,” “Us” is a purer horror tale with subtler social messaging as it puts a family through absolute hell by introducin­g them to their killer doppelgang­ers. There are so many highlights – eerie imagery, wonderfull­y dark humor – though chief among them is an absolutely awards-worthy turn by Lupita Nyong’o in dual roles, including the year’s best villain in Red. (Sorry, Thanos.)

Where to see it: On iTunes, Amazon and digital platforms

1. ‘Booksmart’

With no warning whatsoever, Olivia Wilde – yes, that Olivia Wilde – just redefined the teen comedy for an entire generation and cemented herself as the coolest director in Hollywood. Her rowdy tale of two overachiev­ing and lovable nerd girls (Beanie Feldstein and Kaitlyn Dever) who finally let loose the night before high school graduation – with a colorful crew of multidimen­sional school chums in tow – will leave your heart three times bigger, give you six-pack abs from laughing so hard, and resonate with anyone who’s ever wanted start a revolution with a BFF.

Where to see it: In theaters now

 ?? MARVEL STUDIOS AND NEON/CNN FILMS ??
MARVEL STUDIOS AND NEON/CNN FILMS
 ??  ?? Beanie Feldstein, left, and Kaitlyn Dever star as high school seniors who have partying to do in “Booksmart.” FRANCOIS DUHAMEL/ANNAPURNA PICTURES
Beanie Feldstein, left, and Kaitlyn Dever star as high school seniors who have partying to do in “Booksmart.” FRANCOIS DUHAMEL/ANNAPURNA PICTURES
 ??  ?? Gugu Mbatha-Raw, right, stars as a woman with superpower­s who reconnects with her mom (Lorraine Toussaint) while on the run in “Fast Color.” JACOB YAKOB
Gugu Mbatha-Raw, right, stars as a woman with superpower­s who reconnects with her mom (Lorraine Toussaint) while on the run in “Fast Color.” JACOB YAKOB
 ??  ?? Adelaide faces Red (both Lupita Nyong’o) in “Us.” UNIVERSAL PICTURES
Adelaide faces Red (both Lupita Nyong’o) in “Us.” UNIVERSAL PICTURES
 ??  ?? Fred (Seth Rogen) and Charlotte (Charlize Theron) are in search of a high on the streets of France in the romantic comedy “Long Shot.” PHILIPPE BOSSE
Fred (Seth Rogen) and Charlotte (Charlize Theron) are in search of a high on the streets of France in the romantic comedy “Long Shot.” PHILIPPE BOSSE

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