USA TODAY International Edition

Petty’s ‘ Wildflowers’ returns in full bloom

Family, music mates finish late rocker’s work

- Mike Snider

Tom Petty’s 1994 album “Wildflower­s” has finally reached full bloom.

When the late rock frontman made the album – only his second in a thentwo decade career not to be labeled as a Tom Petty and the Heartbreak­ers project – Petty initially envisioned it as a two- CD set with 25 songs.

At the suggestion of record label Warner Bros., Petty pruned down the project. He released a single- disc masterpiec­e, which would go on to be certified triple platinum, selling more than three million copies, according to the Recording Industry Associatio­n of America. “Wildflower­s” also earned him his first solo Grammy, the 1995 best male rock performanc­e award for the song, “You Don’t Know How It Feels.”

In later years, Petty returned to his vision of an expanded “Wildflower­s,” with that original second album of songs. It was a project he wouldn’t finish before his death in October 2017 at the age of 66,.

Now his family and music mates have finished the job.

“Wildflower­s & All the Rest ($ 19.98up), out Friday, includes a remastered version of the original album and a second disc of ten songs from those considered for the original two- CD version. More decked- out editions offer additional insights into Petty’s two- year creative flurry with a collection of the musician’s solo home demos, a vast assortment of rarities and previously unreleased recordings, and live performanc­es.

“We just took an opportunit­y here to be a little more completist about looking at the work he did in those two years with Rick,” said Petty’s daughter, Adria, speaking of producer Rick Rubin, who headed“Wildflower­s” and the subsequent Heartbreak­ers’ release “Echo.”

Tom Petty’s ‘ last project’

Finishing this expanded version of “Wildflower­s” was important to the family and band members because Petty “talked about this more than any other project I’d ever seen him putting together,” said Adria, who also served as the set’s creative director and co- directed a music video for “Leave Virginia Alone.”

Guitarist Mike Campbell, who was

among the set’s curators, said he tried to think like Petty in choosing what should make the cut. “I would always try to imagine Tom was sitting with me and we would listen to it and I kept hearing his voice saying, ‘ Nah, ( expletive) that. I don’t want anybody to ever hear that,’ and I would say ‘ No’ ( don’t include it).

At times, it was difficult to listen to old material, Campbell said. “The process was very hard emotionall­y. I’m still grieving. But I was grieving pretty hard then.”

‘ Wildflower­s’ sown in transition

The creation of what would become “Wildflower­s,” which began in 1992, came at a tumultuous time for Petty, who faced troubles in his longtime marriage to wife Jane, whom he wed in 1974. They have two daughters, Adria and AnnaKim.

There also was friction amid his band as he began writing during a break following the tour supporting “Into the Great Wide Open,” the Heartbreak­ers album released in 1991 and produced by Jeff Lynne.

Petty was looking for a fresh approach after two albums with Lynne. The Electric Light Orchestra leader had also helmed Petty’s first solo effort “Full Moon Fever,” a multi- platinum hit. Fueled by songs such as “Free Fallin’,” “Runnin’ Down a Dream” and “I Won’t Back Down,” it would go on to outsell previous Heartbreak­ers albums.

Despite the success, Petty feared stagnation. “I had this clear thought: We were making a certain kind of record,” Petty told Rolling Stone in a 2014 interview that’s included in the new “Wildflower­s” set. “If we did any more, it wasn’t a great idea. I felt I have to take off on my own, see what all this adds up to.”

Enter producer Rubin, who had worked with rappers such as LL Cool J, Run DMC, and the Beastie Boys and metal bands including Slayer.

And exit longtime drummer Stan Lynch, who would depart from the band after initially playing on some songs considered for “Wildflower­s,” as well as “Mary Jane’s Last Dance,” a new song for the 1993 greatest hits collection that secured Petty’s move from MCA Records to Warner Bros.

‘ Low pressure’ work bore fruit

Moving forward with Rubin, Petty kept things loose. “We began recording songs with no real concept other than let’s just record these songs and see how they sound like with whatever players we could get together,” Campbell told USA TODAY.

When keyboardis­t Benmont Tench joined Petty, Campbell and Rubin about a month later at LA studio Sound City, “I was a little puzzled because it wasn’t the ( Heartbreak­ers) band, but I was ( saying) ‘ OK, I trust this process.’ And the songs ( Petty) brought were so good. I was glad to be coming down every day.”

Kenny Aronoff, a longtime drummer for John Mellencamp, came in and worked on some songs and then came the arrival of Steve Ferrone, who’d drummed in the Average White Band, Saturday Night Live band and played for Chaka Khan, Duran Duran and Eric Clapton.

“When Steve Ferrone showed it up it was like Mike and Tom’s and Rick’s eyes lit up,” Tench said.

Ferrone would go on to play on most of the original “Wildflower­s.” Ringo Starr handled drums on “To Find a Friend.” And after the album came out in 1994, Ferrone became a permanent band member.

“Wildflower­s” served as a revival for Petty and the Heartbreak­ers, which would continue on for another 20- plus years. Petty and his wife divorced in 1996. In 2001, he married Dana York, who he had been seeing for several years and who helped Petty through a post- divorce heroin addiction.

Petty moved on but didn’t forget

Those abandoned songs were never far from Petty’s mind. “He would bring it up from time to time, ‘ We should do something with that,’ ” Campbell said.

While the Heartbreak­ers were making “Hypnotic Eye,” an album that would be released in 2014, compilatio­n producer and engineer Ryan Ulyate dove into the performer’s vault of unreleased material after Petty told him, “there’s some tracks from ‘ Wildflower­s’ that we never put out. I want to go back and look at all that stuff and see what we can do with it.”

Between recording sessions and tours, Petty in 2015 sequenced the songs for a second Wildflower­s disc. Then Petty began perusing some home demo recordings he wanted to accompany the release.

As the project grew, Petty realized “he didn’t want to just put this disc out without promoting it because he felt it wouldn’t get the attention he thought it deserved,” Ulyate said.

But the Heartbreak­ers would spend much of 2017 on a 40th Anniversar­y tour. Petty died Oct. 2, 2017, of an accidental drug overdose. He had been battling “unbearable” pain from a hip fracture, his wife, Dana, and daughter, Adria, said in a statement in January 2018 upon the Los Angeles County coroner’s office finding.

The family assisted Ulyate, Campbell and Tench on the 2018 four- disc retrospect­ive “An American Treasure” and reached an agreement on his estate.

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 ?? WARNER RECORDS ?? The cover of Wildflower­s & All The Rest, out Oct. 16 from Warner Records. The reissue includes a remastered version of the 1994 Wildflower­s album, another disc of additional songs, plus demos, live recordings and alternate versions.
WARNER RECORDS The cover of Wildflower­s & All The Rest, out Oct. 16 from Warner Records. The reissue includes a remastered version of the 1994 Wildflower­s album, another disc of additional songs, plus demos, live recordings and alternate versions.

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