USA TODAY International Edition
Cage recalls the ‘ Weight’ of his varied career, roles
In “The Unbearable Weight of Massive Talent,” Nicolas Cage gets to drop acid, scale walls, outrun drug lords and French kiss himself.
It also gives him a chance to send up his brazen on- screen persona, playing a heightened version of himself who is mixed up in espionage after befriending Javi ( Pedro Pascal), a Cage superfan and Spanish billionaire with potentially shady dealings.
The meta film ( now in theaters) gleefully references many of the Oscar winner’s mainstream hits, including “Face/ Off,” “Con Air,” “National Treasure” and “The Rock,” as well as artier fare “Wild at Heart” and “Adaptation.”
For Cage, 58, having this chance to celebrate and reflect on his past work has been a “validating, largely positive experience.”
“It’s given me an opportunity to explain some of my choices and the way I perceived my path,” says Cage, who has starred in a string of low- budget thrillers and dramas in the past decade. “I opted for what some folks call ‘ direct to video’ ( movies), which they see as less than compared to opening in cinemas. But to me, that expression is a dinosaur. Everything now is streaming and streaming has been wonderful to me.”
Before the release of “Massive Talent,” Cage walked USA TODAY through some of his most memorable roles and moments:
This year, Cage earned a best actor nomination from the Critics Choice Awards for “Pig,” a gentle drama in which he played a reclusive truffle hunter in search of his stolen pig. The actor still regards it as the “best performance” of his career so far.
“I watched the movie and it was like, I didn’t know this person,” Cage says. “I was being introduced to this character and I was an audience member 100%. It was like lightning in a bottle, the way that movie came together. We didn’t do more than one or two takes, and everybody involved just flowed.
“And that doesn’t happen often – this is maybe the second time,” he says. “The first was ‘ Leaving Las Vegas,’ “for which Cage won the best actor Oscar in 1996. “I do think it’s the best I was able to do. Nothing was forced.”
In 2015, Cage played a politician embroiled in a sex scandal in “The Runner,” co- starring Connie Nielsen, Peter Fonda and Sarah Paulson. The drama was a major critical and box- office disappointment, although Cage stands by it.
“It was a movie that I thought had a great deal of nuance and was very relevant,” he says. “That movie is very underrated and really isn’t on anybody’s radar. ‘ The Trust’ with Elijah Wood was also terrific.”
He name- checks “Mandy” and “Color Out of Space“for doing “a great job sort of reinventing me. ... And movies like ‘ Bad Lieutenant’ and ‘ Joe,’ everybody involved put in their best work. I’m not saying these movies are better than anything I did in the first 30
years of my path, but I think they’re as good.”
One of Cage’s most lovable roles is in Joel Coen’s 1987 comedy “Raising Arizona,” playing an ex- con named Hi who marries a police officer ( Holly Hunter) and kidnaps a baby when she can’t get pregnant. The actor fondly remembers trying to wrangle five infants on set, shooting a scene in which Hi robs a cradle of quintuplets.
“Each of the babies would be looking at me in the crib jumping up and down, and I’d be trying to distort my facial expressions, imagining what it’d be like for a toddler observing these horrific adults,” Cage recalls. “I had a lot of fun on those days. I’ve only had great experiences with children.”
In 2006, Cage starred in a remake of 1973 horror film “The Wicker Man,” playing a policeman named Edward Malus who’s investigating a pagan cult. In one memorable scene, Edward is tortured with a wire mesh helmet filled with bees, prompting his oft- parodied line, “Not the bees!”
The idea for the helmet came from Cage, who was visiting his grandfather’s house one day and saw that he had built a wooden fly trap.
“I thought it was so bizarre: It looked like a little square box that had a funnel and a cone, and he put honey in it so flies would go in and get trapped in there,” Cage recalls. “So I thought I’d put that very object on my head in ‘ The Wicker Man.’ That led me to the whole ‘ Not the bees! Not the bees!’ ( line), which I think is funny.”
It also was his idea to reference the moment in “Massive Talent,” uttering the iconic quote about a bee- shaped belt buckle.
In addition to “Wicker Man,” Cage says that the movie fans quote to him most is “Moonstruck,” which enjoyed a resurgence during early lockdown that he’s very “glad” about. People specifically love to say “Snap out of it!” which Cher’s widowed Loretta shouts after slapping Cage’s impassioned Ronny.
“‘ Snap out of it!’ is the line,” Cage says with a laugh. “That’s a line I’m always going to get and I love it. I mean, I’m glad ( people) remember the movie. She’s fun and it’s such a fun moment.”