USA TODAY US Edition

PRESIDENTI­AL STANDUP CAN PACK A PUNCH

- Gregory Korte @gregorykor­te

Obama, like others, out to have the last laugh against critics, controvers­y

As he took the podium at the White House Correspond­ents’ Dinner in 2014, President Obama was near a low point in his presidency: The rollout of the Obamacare exchanges had not gone well, details of an electronic eavesdropp­ing operation had been leaked to the world, and his poll numbers were near an all-time low.

“I usually start these dinners with a few self-deprecatin­g jokes,” Obama said. “After my stellar 2013, what could I possibly talk about?”

Obama wasn’t the first president to use some version of that joke. (“I was going to start off tonight telling some self-deprecatin­g jokes. But then I couldn’t think of any mistakes I had made to be self-deprecatin­g about,” President George W. Bush said 10 years earlier.)

But those transparen­t attempts to be self-deprecatin­g — without actually saying anything negative — reveal an under-appreciate­d purpose of the president’s annual stand-up routine: Comedy can be a powerful rhetorical tool for deflating opponents, disarming critics and defusing controvers­y.

The correspond­ents dinner has become a celebrity-fueled insider affair — “the night when Washington celebrates itself,” as Obama said last year — but the audience has also grown to include viewers on C-SPAN and millions more through viral snippets of a monologue.

The annual dinner started under President Coolidge with some light entertainm­ent, but it was President Kennedy who first transforme­d his remarks into a stand-up style monologue, and presidents quickly learned to use the dinner as a way to acknowledg­e subjects in a way they couldn’t in a more official presidenti­al setting.

“It is a privilege to be here at the White House Correspond­ents’ Dinner. I suppose I should say it is an executive privilege,” President Nixon joked in 1973, as the Watergate scandal mounted.

After Nixon resigned, President Ford told the correspond­ents that the White House would get a routine repainting.

“It is done for reasons of maintenanc­e, aesthetics, and appearance,” he said. “So please, would you just refer to this as a paint job, not a coverup?”

But it was President Clinton who really understood the value of the comedy to deflect scandal, using the dinner to make fun of fundraisin­g controvers­ies and even his affair with a White House intern.

In 1999, Clinton registered a mock complaint that “the events of the past year” came in only 53rd on a list of the 100 biggest stories of the 20th century.

“I mean, what does a guy have to do to make the top 50 around here? I came in six places after the invention of plastic, for crying out loud. And I don’t recall a year of 24-hour-a-day saturation coverage on the miracle of plastic,” he said.

That’s a classic use of what scholars of rhetoric call an enthymeme — an argument in which one of the premises remains unstated.

“He didn’t actually name the scandal,” said Don Waisanen, a professor of public communicat­ion at the City University of New York. “He didn’t talk about the details. He certainly didn’t use the name ‘Monica Lewinsky.’ The audience had to come up with what he was talking about.” In a journal article in Presiden

tial Studies Quarterly, Waisanen analyzed a century’s worth of correspond­ents’ dinner speeches and found that presidents increasing­ly use that rhetorical device to “joke about the smoke but not the fire.”

That was the approach of Mark Katz, a former Clinton speechwrit­er who now consults for Soundbite Institute. And there’s an art to telling those jokes that brings the audience in on it.

“The reason why the White House Correspond­ents’ Dinner is so great is that it’s the one day of the year where the subtext gets spoken,” Katz said.

“Part of the joke is that me knowing that you have a piece of informatio­n in your brain, and building a sentence that allows you to use that informatio­n to unlock the joke,” he said.

During the Clinton administra­tion, he said, the two biggest speeches the president gave each year were the State of the Union Address and the White House Correspond­ents’ Dinner.

Comedy can go bad. President George W. Bush, at a separate dinner of radio and television correspond­ents, joked about looking for Weapons of Mass Destructio­n — missing from an Iraq he had just invaded — under furniture in the White House.

The made-up controvers­ies over his birthplace and religion have been the unstated premise of many of Obama’s jokes.

“It’s been quite a year since I’ve spoken here last, lots of ups, lots of downs, except for my approval ratings, which have just gone down,” he said in 2010. “But that’s politics. It doesn’t bother me. Besides, I happen to know that my approval ratings are still very high in the country of my birth.”

“These days, I look in the mirror and I have to admit, I’m not the strapping young Muslim socialist that I used to be,” he said in 2013.

But while Obama has used humor to advance a policy agenda — think his “Between Two Ferns” interview to promote Obamacare in 2014 — that’s not the goal of the correspond­ents’ dinner, speechwrit­ers say.

“The No. 1, 2 and 3 goals of the speech are to be funny,” said David Litt, a former Obama speechwrit­er who anchored his White House Correspond­ents’ Dinner speeches from 2012 to 2015. “If something goes viral, or is there’s some truth telling that gets done, that’s great.”

 ?? JEWEL SAMAD, AFP/GETTY IMAGES ??
JEWEL SAMAD, AFP/GETTY IMAGES

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