USA TODAY US Edition

‘Shots Fired’ has an echo that’s sadly familiar, 2D

Co-creator got idea for Fox drama after acquittal in the Trayvon Martin case

- Patrick Ryan USA TODAY

In Shots Fired, a small North Carolina town gets national attention when a white teen is killed by a black cop. But its racially charged story wasn’t inspired by a specific instance of police brutality.

Instead, Fox’s 10-episode series (Wednesdays, 8 ET/PT) has its roots in the 2013 acquittal of George Zimmerman, a Hispanic neighborho­od-watch volunteer who fatally shot Trayvon Martin, an unarmed black teen. Writer/ director Gina Prince-Bythewood ( Beyond the Lights) remembers her then-12-year-old son watching the verdict with her husband, Reggie, the series’ co-creator.

“It was almost like a loss of innocence. He just couldn’t understand it and cried,” PrinceByth­ewood says. “What was striking to us was how many people were sympathizi­ng with Zimmerman. People were sending money for his trial and this 17-year-old boy was being demonized. It was very hard to watch, and I felt it (personally).”

The desire to create empathy for such victims as Martin is at the heart of Shots, which follows wild-card Department of Justice investigat­or Ashe Akino (Sanaa Lathan), who butts heads with optimistic young prosecutor Preston Terry (Stephan James) when they’re tasked with investigat­ing the accused officer (Tristan “Mack” Wilds). But the case becomes knottier when they discover the never-investigat­ed murder of an unarmed black teen, fueling suspicions of police corruption and cover-ups.

With more than 50 black men and women killed by police so far this year, according to The Washington Post, “people become desensitiz­ed. They turn on the news, another black male’s been shot, and they turn it off,” PrinceByth­ewood says. But by including both white and black victims in the show, “we could really touch on the ways that the communitie­s, media and audiences look at victims of these crimes based on race, and how they’re treated.”

Shots reunites Prince-Bythewood with Lathan, who starred in the filmmaker’s breakthrou­gh 2000 drama Love & Basketball and HBO movie Disappeari­ng

Acts. The actress says it was a nobrainer to play Ashe, a hardened profession­al and fiercely protective mother with “so many levels and colors. She’s been a patrol cop, she’s dealt with sexism and racism, and knows all the ins and outs” of the profession.

The series was filmed in North Carolina last summer, and filmmakers were eager for Fox to air it before the election.

“All of us wanted it out then because we wanted to be part of the conversati­on, ( but) the fact that it’s coming out now makes sense,” Prince-Bythewood says. “People feel scared and absolutely powerless. We hope that the show is part of that resistance movement that is being born out of what is happening now.”

Both women also believe audiences are ready for a show with two black leads and a diverse cast, rounded out by Helen Hunt, Stephen Moyer, Aisha Hinds and Richard Dreyfuss. They credit series such as Scandal and How to Get Away With Murder, and freshman shows Atlanta, Insecure and Queen Sugar.

“TV is definitely looking good to me, especially with women and women of color,” Lathan says. “We’ve kind of arrived at the golden age for black women in television.”

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 ?? ROBERT DEUTSCH, USA TODAY ?? Shots Fired reunites co-creator Gina Prince-Bythewood, left, and star Sanaa Lathan, who worked together on Love & Basketball.
ROBERT DEUTSCH, USA TODAY Shots Fired reunites co-creator Gina Prince-Bythewood, left, and star Sanaa Lathan, who worked together on Love & Basketball.
 ?? FOX ?? Preston (Stephan James) and Ashe (Lathan) investigat­e a police officer accused of killing a white teen in Fox’s Shots Fired.
FOX Preston (Stephan James) and Ashe (Lathan) investigat­e a police officer accused of killing a white teen in Fox’s Shots Fired.
 ?? FRED NORRIS, FOX ?? Deputy Josh Beck (Mack Wilds) is at the center of a deepening investigat­ion.
FRED NORRIS, FOX Deputy Josh Beck (Mack Wilds) is at the center of a deepening investigat­ion.

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