USA TODAY US Edition

Drake’s ‘More Life’: 8 tracks from his ‘playlist’

- Maeve McDermott @maeve_mcdermott USA TODAY

Drake’s More Life, which premiered Saturday night on his OVO Sound Radio on Apple Music, boasts the exact same runtime — 1 hour and 22 minutes — as Views, his sprawling studio album from last April.

Consistenc­y is a lot to ask for a 22-track collection, and like

Views, More Life is too packed with ideas to make for a unified aesthetic. But perhaps the difference between the poorly reviewed Views and More Life, which Twitter welcomed as a return to form for the rapper, has as much to do with its framing as with its songs.

Drake deliberate­ly labeled his latest project a “playlist,” and while the difference may be in name only, More Life makes way more sense as the artist’s sonic Pinterest board as it does a proper album. Of course a Drake mixtape would include his frequent collaborat­ors and favorite influencer­s, with his verses often taking a back seat to contributi­ons by Kanye West, Young Thug, Travis Scott, Quavo, 2 Chainz, Skepta and PARTYNEXTD­OOR.

More Life leapfrogs from dancehall and grime to moody R&B and beats built from elementary school recorders. And why wouldn’t it, if his mixtape is surveying his musical headspace of the moment?

When seen as a collage of inspiratio­n, More Life and its peaks and valleys, including a killer run of summertime-ready dance tracks that precedes the album’s

less-impressive second half, don’t seem as distractin­g as they would on a Drake studio album, which have the heightened responsibi­lity of meeting the standards set by his previous critically acclaimed projects Take Care and Nothing Was the Same.

But the bar shouldn’t be set any lower for More Life because it’s a mixtape, and thankfully for Drake fans, it’s better than Views, injecting some life into the midtempo beats that dominate both releases.

However listeners want to categorize More Life, its proof of quality isn’t in its concept, it’s in its songs, and these were the tracks that stood out.

‘PASSIONFRU­IT’

After two opening songs that see Drake returning to the shots-fired paranoia that helped sink Views,

Passionfru­it bursts with color, a track that nods to the ’80s-referencin­g earnestnes­s of his hit Hold

On, We’re Going Home, and the first in a string of Caribbeani­nspired tracks that show the rapper isn’t finished with his successful formula from past hits One

Dance and Controlla.

‘GET IT TOGETHER’ FEATURING BLACK COFFEE, JORJA SMITH

Drake’s rumored paramour Jennifer Lopez immediatel­y establishe­s a presence on the album, thanks to his allusion to drunk- texting her seconds into More

Life’s first track. But on their supposed collaborat­ion Get It

Together, J. Lo’s vocals are replaced by the rising U.K. singer Jorja Smith. It’s hard to imagine how the track could be any better with Lopez’s addition, as Smith and Drake trade verses over a gentle house beat that’s one of

More Life’s best.

‘MADIBA RIDDIM’

Drake returns to complainin­g about the famous-people problems he spent much of Views questionin­g. But sung over one of More

Life’s most colorful samples, listening to him mull over his trust issues finally sounds fun again.

‘4422’ FEATURING SAMPHA

Drake doesn’t just let Sampha — the British artist he collaborat­ed with on Nothing Was the

Same highlight Too Much — take center stage here. He hands over the whole woozy track to the singer’s extremely capable falsetto, which lends 4422 an emotional heft rarely felt on the rest of More Life.

‘PORTLAND’ FEATURING TRAVIS SCOTT AND QUAVO

The track’s flute-heavy production probably hoped to copy the ominous-sounding wind instrument­s on Future’s hit Mask Off but ends up sounding more like the goofy recorder on D.R.A.M.’s Broccoli. Thankfully, Drake’s jokey lyrics (“My side girl got a 5S with the screen cracked, still hit me back right away”) and welcome appearance­s from Travis Scott and Quavo keep Portland from sounding too self-serious.

‘SACRIFICES’ FEATURING 2 CHAINZ AND YOUNG THUG

Congratula­tions are in order for 2 Chainz, who walks away from Sacrifices with one of the best feature verses of the project. Meanwhile, Young Thug is near-unrecogniz­able here, with the rapper faring better on his second More Life feature, the swaggering reggae of Ice Melts.

‘LOSE YOU’

There’s no fake-Jamaican patois, gloomy tales of fame or any other

Views- era Drake gimmicks on this track, one of his few new tracks that could feasibly fit at home on any of his previous releases. He resurrects a fast-paced flow fans will relievedly recognize, delivering a mea culpa to his longtime followers, asking, “Did I lose you, did I?” ‘GLOW’ FEATURING KANYE WEST A lot has changed for Kanye and Drake since they teamed up in 2009 for the one-off single Forev

er. But Glow features the same vintage-sounding iteration of both rappers as Drake earnestly sings the track’s refrain (“Watch out for me, I’m about to glow”) in between Yeezy’s straightfo­rward verses over an Earth, Wind & Fire sample. While the star rappers’ collaborat­ion isn’t quite the sum of their talented parts, it offers a nostalgic look back.

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CHARLES SYKES, AP
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