USA TODAY US Edition

Laverne Cox rides a shifting tide with ‘Disclosure’ film

The trans actress and executive producer talks about history and the pace of change.

- David Oliver

Think of any transgende­r character on television or in film over the last century.

In all likelihood, it’s someone who’s been objectifie­d, sensationa­lized or has experience­d violence onscreen. Take the traumatic deaths of Hilary Swank’s character Brandon Teena in the 1999 film “Boys Don’t Cry” and Jared Leto’s Rayon in 2013’s “Dallas Buyers Club.”

But the tide is shifting – albeit slowly – toward more thoughtful representa­tion in the media, as discussed in Netflix’s new transgende­r history documentar­y “Disclosure” (streaming now).

The documentar­y covers the transgende­r experience in Hollywood, from Edie Stokes on “The Jeffersons” through the groundbrea­king current FX ballroom drama “Pose,” which boasts many Black transgende­r series regulars.

“When we know better, we do better,” actress Laverne Cox, an executive producer of the documentar­y, says in an interview that also spans Pride Month to last week’s landmark Supreme Court decision in favor of gay and transgende­r rights in the workplace.

‘I don’t believe in cancel culture’

Cox, perhaps best known for her role as prisoner Sophia Burset in Netflix’s “Orange Is the New Black,” is one of many transgende­r women and men (including MJ Rodriguez, Candis Cayne and Chaz Bono) interviewe­d in the documentar­y, directed by Sam Feder (“Kate Bornstein is a Queer & Pleasant Danger”).

Cox always wanted to collaborat­e on a transgende­r history project and connected with Feder three years ago, when Feder was already two years into researchin­g it. Cox reflects on loving such films as “Yentl” and “Victor/Victoria,” having seen the latter hundreds of times. (And USA TODAY confirms she can sing “The Shady Dame From Seville” on cue).

Despite strides in representa­tion, Cox says there is still too much violence against transgende­r women on television – partly because it reflects reality. At least 15 transgende­r or gender non-conforming people have been killed this year, according to the Human Rights Campaign.

“Showing reality is important, but I don’t know if we need to see that right now. It’s just triggering and traumatizi­ng,” Cox says. What’s more, 80% of Americans say they don’t personally know someone who is transgende­r, according to GLAAD. That means most of what audiences learn about transgende­r people comes from the media.

But Cox doesn’t want to “cancel” anyone for not understand­ing how to write or talk about transgende­r people. Transgende­r stories were sensationa­lized on such shows as Ryan Murphy’s “Nip/Tuck” because that’s just the way it was done, she says.

Murphy’s “Pose” goes beyond featuring transgende­r people onscreen: They’re involved at all levels of production, as writers, directors and producers.

“This is why I don’t believe in cancel culture,” Cox says. “From ‘Nip/Tuck’ to ‘Pose’? People can transform, people can come to new spaces of critical consciousn­ess and produce something that is so groundbrea­king, so beautiful, so just everything.”

What Pride Month means right now

The documentar­y couldn’t come at a more critical time, amid the coronaviru­s pandemic and protests against racism. People around the country are protesting following the death of George Floyd after a white police officer knelt on his neck for more than eight minutes.

“I’m disturbed by what’s going on in the world, but I’m moved that people are protesting and lifting their voices and saying that this is not acceptable,” Cox says. “Right now, more than ever, is an opportunit­y for everybody – whether you’re LGBTQI+ or not – to really interrogat­e the ways in which we’ve internaliz­ed the values of white supremacy, the values of a racist culture.”

Within the LGBTQ community, racism lingers, too, she says: “There’s a reckoning we still need to have with race that we haven’t fully had as a community.” Cox referenced those who turned out for Black Trans Lives Matter rallies across several cities on Sunday, sticking up for black transgende­r women who are at the intersecti­on of the most oppressed groups.

She recommende­d several organizati­ons, including the Trans Justice Funding Project, Trasngende­r Law Center and TransTech Social Enterprise­s. “Pose” star Angelica Ross, also featured in “Disclosure,” is the CEO and founder of TransTech, which provides job training and job opportunit­ies in technology for transgende­r people.

Cox ‘still shocked’ at victory for LGBTQ employment rights

Cox is proud of the major Supreme Court decision announced June 15. The court decided, 6-3, that gay and transgende­r workers can’t be fired on the basis of the sexual orientatio­n or gender identity.

The decision gave Cox tremendous hope.

“I get goosebumps every time I think about it,” she says. Cox attended the oral arguments at the court last October.

She remembers having a conversati­on with her friend and ACLU lawyer Chase Strangio about the case.

“We both think it’s probably even more important than the marriage decision, because not everyone wants to get married, myself included,” Cox says. But everyone for the most part needs to work.

“I’m still shocked,” she says. But she says she’s overjoyed.

 ?? NETFLIX ?? Laverne Cox executive produces and appears in Netflix’s new transgende­r documentar­y, “Disclosure.”
NETFLIX Laverne Cox executive produces and appears in Netflix’s new transgende­r documentar­y, “Disclosure.”
 ?? NETFLIX ?? “Disclosure” discussed the real history behind the Stonewall riots.
NETFLIX “Disclosure” discussed the real history behind the Stonewall riots.

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