The talent behind “The Terror" discusses what went into the dramatic third episode.
“The Terror,” Season 1, Episode 3
THE FIRST BIG dramatic crescendo for AMC’S horroron-the-ice series comes in the third episode of the anthology series, when, in his quixotic quest to discover the Northwest Passage through the Arctic for the British Admiralty, Captain Sir John Franklin (Ciaran Hinds) is violently killed by the monstrous Tuunbaq. Executive producers David Kajganich and Soo Hugh wanted to maintain the show’s ubeer-realistic approach while creating a sequence so evocative viewers felt like they got a glimpse of the mythical creature, even though it remains completely obscured. “One of our first rules on the horror side of the show was to always be a bit closer to the action than the audience is used to being,” Kajganich says. “Our mandate was to infuse this death with a subjective point of view, that we stay in the show’s tone that even death come from a subjective experience,” adds Hugh. “It came from a psychologically almost surreal vantage point.”
Editor
“Turning up all the geography on a relatively tight stage was difficult. We set up Ciaran on the end of a crane arm with a camera pointing at him, so he was waving around as though he was being transported by the Tuunbaq to a fire hole, basically a hole in the ice that they made to get through to the ocean. That’s where Ciaran finally gets dumped. We built a set with the full thickness of the fire hole up on a platform so that we could see Ciaran being dropped into it from underneath, and then the sides of it would pull out, so then the camera could be in the side of it and see him wedged in there. Then we had to set that on a 45-degree angle for certain shots. That was probably the more complex part of it in terms of the jigsaw puzzle of set pieces, to get the sequence together.”