Variety

Getting to the Heart of a Decade-long Saga

EDITOR AMY FOOTE HELPS DUO OF JOURNALIST­S-TURNED-FILMMAKERS TELL THE STORY OF DOC ‘FATHER SOLDIER SON’

- By Jazz Tangcay

TO GET TO THE CENTER of the story of documentar­y “Father Soldier Son,” about a single dad raising two boys while fighting in Afghanista­n, editor Amy Foote locked herself in a bubble for two months poring over 10 years of footage. Journalist­s-turned-filmmakers Catrin Einhorn and Leslye Davis make their feature debut with the doc, now streaming on Netflix. In 2010, Einhorn produced the New York Times documentar­y short “A Year at War,” in which reporter James Dao follows a regiment of soldiers being deployed to Afghanista­n. Among them was single dad Brian Eisch, a platoon sergeant and third-generation soldier. Fascinated by his story, she went to Wisconsin, where Eisch’s sons, 12-yearold Isaac and 7-year-old Joey, had moved when Eisch went off to war, to live with his older brother, Sean. “And that’s how it started,” Einhorn says. Foote — whose diverse work on documentar­ies include Staples Singers celebratio­n “Mavis,” History Channel’s “Watergate” and the sociopolit­ical “Hail Satan?” — joined the project after everything had been shot. “It was the most amount of footage I ever had to contend with,” she says. “[Einhorn and Davis] had been there the whole time and were much further ahead.” When Foote caught up with the directors, they all compared notes to see if they saw the same story points, and conversati­ons began about carving out a narrative. “We storyboard­ed the scenes we wanted to work on cutting,” Foote says. The doc follows Eisch as he returns home after a serious gunshot injury to his leg years earlier, which now requires amputation. He tries to make sense of the injury, and the family grapples with the long-term effects of military service, including an exploratio­n of the depression he now suffers from. A big challenge was finding the key images for the opening scene. Early footage from 2010 existed in short multimedia clips that lasted 10 to 15 minutes. “I went through everything they had shot from those early years,” Foote says.

TIME SENSITIVE Costume designer Consolata Boyle frequently works on period pieces.

Victoria & Abdul (2017)

Director: Stephen Frears

Florence Foster Jenkins (2016) Director: Frears

Miss Julie

(2014) Director: Liv Ullmann

Philomena (2013) Dir.: Frears

Byzantium (2012)

Dir.: Neil Jordan

The Iron Lady

(2011) Director: Phyllida Lloyd

Into the Storm (2009) Director: Thaddeus O’sullivan

The Queen (2006) Director: Frears

The Lion in Winter (2003) Director: Andrei Konchalovs­ky

Angela’s Ashes (1999) Director: Alan Parker

The Winslow Boy (1999) Director: David Mamet

The Secret of Roan Inish (1994) Director: John Sayles

FOR DRAMA ABOUT THE FAMED SCIENTIST, COSTUME DESIGNER CONSOLATA BOYLE HAD WARDROBE PLAY A SUPPORTING ROLE

CONSOLATA BOYLE

CREW COLLABORAT­ES TO BRING A HOLLYWOOD ICON TO SOUTH AFRICA FOR THE ROM-COM SEQUEL

 ?? WARM WELCOME Brian Eisch is greeted by sons Isaac and Joey after returning from duty in documentar­y “Father Soldier Son.” ??
WARM WELCOME Brian Eisch is greeted by sons Isaac and Joey after returning from duty in documentar­y “Father Soldier Son.”
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