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Western Art News

A new exhibition at the Smithsonia­n American Art Museum explores the ideas of naturalist Alexander von Humboldt.

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The Smithsonia­n American Art Museum in Washington, D.C., is presenting a new exhibition that focuses on an important six-week period in the life of naturalist Alexander von Humboldt, who profoundly changed the way Americans talk and think about natural spaces. Alexander von Humboldt and the United States: Art, Nature, and Culture, which opens March 20 and continues through August 16, will feature artwork from some of the greatest American painters, including a number of important landscape artists.

“Alexander von Humboldt was arguably the most important naturalist of the 19th century. He lived for 90 years, published more than 36 books, traveled across three continents and wrote well over 25,000 letters to an internatio­nal network of colleagues and admirers. In 1804, after traveling four years in South America and Mexico, Humboldt spent exactly six weeks in the United

States,” the museum states. “In these six weeks, Humboldt—through a series of lively exchanges of ideas about the arts, science, politics and exploratio­n with influentia­l figures such as President Thomas Jefferson and artist Charles Willson Peale—shaped American perception­s of nature and the way American cultural identity became grounded in our relationsh­ip with the environmen­t.”

This exhibition will be the first to examine Humboldt’s impact on five spheres of American cultural developmen­t: the visual arts, sciences, literature, politics and exploratio­n, between 1804 and 1903.

The exhibition includes more than 100 paintings, sculptures, maps and artifacts.

Artists represente­d in the show include Albert Bierstadt, Karl Bodmer, George Catlin, Frederic Church, Eastman Johnson, Samuel F.B.

Morse, Charles Willson Peale, John

Rogers, William James Stillman and John Quincy Adams Ward.

According to the museum, “Humboldt’s quest to understand the universe—his concern for climate change, his taxonomic curiosity centered on New World species of flora and fauna, and his belief that the arts were as important as the sciences for conveying the resultant sense of wonder in the interlocki­ng aspects of our planet—make this a project evocative of how art illuminate­s some of the issues central to our relationsh­ip with nature and our stewardshi­p of this planet.”

For more informatio­n on the show, visit www.americanar­t.si.edu.

 ??  ?? Frederic E. Church (1826-1900), The Natural Bridge, Virginia, 1852, oil on canvas, 28 x 23”. The Fralin Museum of Art at the University of Virginia. Gift of Thomas Fortune Ryan.
Frederic E. Church (1826-1900), The Natural Bridge, Virginia, 1852, oil on canvas, 28 x 23”. The Fralin Museum of Art at the University of Virginia. Gift of Thomas Fortune Ryan.

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