WWD Digital Daily

Flats and Big Bags

● There was a renewed focus on practicali­ty, classic shapes and talismanic jewels — with the pressure to create the new “It” accessory finally lifted.

- BY NATALIE THEODOSI

Those were among the key accessorie­s trends for spring 2021, when comfort is expected to remain key.

LONDON — In a period when the world is encouraged to nestle at home and minimize social interactio­ns, it was only a matter of time before women’s previously insatiable appetite for It-bags, high heels and statement jewels waned.

The spring 2021 market reflected those mood swings as accessorie­s designers — the majority of which replaced their usual trip to Paris with digital-only showrooms — swapped high heels for fuzzy slippers, Instagramm­able micro bags for roomy and far more practical leather totes, and newness for trusted classics.

Some categories proved more resilient than others, with jewelry very much leading the way.

“Jewelry is a category of its own. It doesn’t follow trends in the way ready-towear does and holds a certain value that can last forever. That’s why as COVID-19 hit, people focused on buying jewelry over clothing and many brands saw an uptick in sales,” said Maria Kastani, whose showroom represents the Athens-based jewelry label Katerina Makriyiann­i.

Makriyiann­i, alongside Kastani, were among the first to spark the oversize earring trend with the label’s upbeat fanshaped earrings. But the brand has now managed to evolve its offer far beyond its original hit, with beaded necklaces, more delicate earrings made using colorful silks and evil-eye rings that are all about protection and can double as talismans.

“Pieces can’t just look the part, they have to act the part with an emotionall­y engaging story to tell and a commitment to craftsmans­hip,” added Kastani, who has been focused on working with a small number of retail partners on the brand’s next chapter, including Matchesfas­hion and Lane Crawford.

The need for talismanic, more meaningful jewels has grown amid today’s dire economic and political landscape.

Beirut-based L’atelier Nawbar presented a spring 2021 collection inspired by the now-destroyed architectu­re of the Lebanese capital and the smashed pieces of colored glass the designers found on the streets after the Aug. 4 explosion.

“Channeling our energy into design has been the only way to move on and deal with the situation. We want to show that if we as businesses keep going, the city will come back,” said Tania Nawbar, who alongside her sister Dima reopened their store three days after the tragic explosion and have been operating it windowless ever since. “We’ve had consistent support, especially from our local clientele. They now appreciate jewelry even more, as an extension of themselves and something they can always keep on for comfort, amidst all the changes.”

Eéra, one of the most prominent new names in the fine jewelry space, has also managed to sustain customer interest and keep evolving its offer beyond the signature neon clip earrings for which the brand first became known.

Eéra, spring 2021

For spring 2021, designers Chiara Capitani and Romy Blanga added more statement, geometric-shaped earcuffs to the mix; necklaces inspired by military identity tags, and a modern take on the classic tennis bracelets.

“We chose fine jewelry because we wanted to create styles with a new identity that were still durable, as we really believe in the value of a timeless piece. We’ve been very lucky not to see a change, when it comes to customer and retailer [response]. Our brand continued growing steadily,” said Blanga, pointing to the label’s modern identity and the timeless flair of fine jewelry as the winning combinatio­n.

“We can definitely see a shift towards very refined and timeless pieces, there were a lot of earcuffs and diamond layering pieces. Brands like Repossi never fail to surprise,” said Tiffany Hsu, fashion buying director at Mytheresa.com, of the trends in jewelry for spring 2021.

When it came to leather goods, particular­ly handbags, it’s the establishe­d luxury names that have proven to be the most resilient.

“We have noticed that the customer is drawn to the establishe­d luxury brands that they know and trust, they are choosing something potentiall­y more practical and long-lasting, as an investment purchase,” said Elizabeth von der Goltz, global buying director at Net-a-porter.

Buyers are keeping a particular­ly close eye on the oversize, chain-embellishe­d shoulder bags Matthew Williams presented for his much-anticipate­d Givenchy debut, as well as Balenciaga’s stretch hourglass bag and grab-and- go clutches by the likes of Loewe and Dries van Noten.

“Matthew Williams gave a really modern and fresh spin on Givenchy bags. We are loving the new hardware updates and the oversize approach,” said Eleanor Robinson, director of accessorie­s at Selfridges.

Buying trends have been back in favor of establishe­d luxury names for over a year now, with buyers noticing a point of saturation in the contempora­ry market and ditching many of the younger, accessibly prized labels to focus on the mega brands.

The pandemic might have exacerbate­d the situation further as consumers looked for familiar names and investment-worthy, timeless styles — yet against all odds some contempora­ry accessorie­s labels have managed to hold on to their relevance and sustain consumer engagement.

“As always in times of economic difficulty there is a huge opportunit­y for contempora­ry and entry price brands,” said Robinson.

For von der Goltz, the winners in the contempora­ry market are the brands that have already establishe­d “a strong brand DNA.”

Milan-based Medea is one such label, having always stayed focused on its classic tote shape inspired by the paper shopping bag, artistic collaborat­ions and a more punk aesthetic rather than the overly polished look many of its peers have become associated with.

For spring 2021, Medea’s Giulia and Camilla Venturini edited down their range even further with a narrower selection of colors, a sharp focus on their core shape, which now also comes in a softer version, and a single new style added to the mix.

“It’s a historical moment, so we didn’t want to be excessive. It was important to keep it to the core and reflect on the changes in the industry,” said the Venturini sisters, who have been hosting a music series throughout lockdown and growing their community.

The success of the social initiative also put them on Lyst and Highsnobie­ty’s ranking of emerging brands shaping today’s culture.

“Sometimes we just focus on the product, but it’s the people who are most important,” they added, pointing to the continued importance of letting other creatives into their world. For fall, they are debuting a collaborat­ion with Peter Do and have also used this time to open more conversati­ons with artists, having previously collaborat­ed with the likes of Nan Goldin and Judith Bernstein.

Korean-based contempora­ry bag label Gu_ De had also been responding to the shifting market dynamics by working towards building its own classics, including a series of softer, voluminous-shaped totes.

“The demand for styles that can be used over many seasons is increasing. When creating new collection­s, I’ve been trying to make practical designs, while reflecting the brand’s vision of the new classic,” said the label’s founder Ji Hye Koo.

There are also the labels that gave up on wholesale completely in favor of directto-consumer drop models. London-based Charlotte Simone made the shift this fall with her first collection of pretty faux fur mini totes dropping this month and selling out within days.

I’m excited about moving away from traditiona­l retail and the pressures I’ve often felt to please major retailers and fit strict scheduled deadlines. With this new approach we can deliver limited-edition pieces at times in the year that suit us. With everything that is happening, products have to work harder,” said the label’s founder, Charlotte Beecham.

The uncertaint­ies of the current retail landscape have also rendered the majority of trends irrelevant. In the accessorie­s sector in particular, collection­s were driven by the need for comfort and practicali­ty first and foremost.

Hence the soft, roomy totes in the bag department and the array of flat options from footwear designers.

Buyers said, though, that even with flats customers want styles with attitude, pointing to Balenciaga’s slides, Loewe’s monogram slip-ons and gladiator sandals by Isabel Marant and Chloé as among the season’s standouts.

Selfridges’ Robinson was among those stressing comfort-first shoe options, including the new Givenchy platform slides, but predicted that high heels are soon to make their comeback.

“Comfort has clearly been the priority for customers through lockdown with trainers, sandals and more recently boots all driving strong growth. Heels clearly don’t have the same relevance right now, although I do see a new trend emerging for dressing up for dinner parties at home. If you can only invite five friends over and you’ve been working from home all week, then why wouldn’t you dress up with some fabulous heels? I think we will see an uptick in party dressing as a result,” she explained.

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 ??  ?? Wandler, spring 2021
Wandler, spring 2021
 ??  ?? Medea’s latest campaign.
Medea’s latest campaign.

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