WWD Digital Daily

India’s Newest Museum Is On Demand, and Binge- worthy

The Museum of Art & Photograph­y in Bengaluru, India, is already breaking new ground, and it hasn’t even opened its physical doors.

- BY SAMANTHA CONTI

LONDON — It’s hard to believe that

India, with all of its aesthetic richness, architectu­ral gems and embrace of color, could be wanting on the museum front.

There may be soaring landmarks, forts, palaces and historical museums, but there is little that highlights contempora­ry, premodern or folk art, photograph­y, popular culture, or even textiles, crafts or design.

Abhishek Poddar, who hails from an art-loving family, has set out to alter India’s landscape with an unusual propositio­n in Bengaluru, or Bangalore, the country’s version of Silicon Valley.

He’s the founder of the Museum of Art & Photograph­y, a five-story building that’s under constructi­on and set to open at the end of this year, pending COVID-19-related restrictio­ns.

When it does open, MAP will be south India’s first major private art museum, a 42,000-square-foot space that wants to encourage people to experience contempora­ry art, and Indian heritage, in new ways.

Poddar, a prominent collector and cultural patron who’s amassed a significan­t collection of South Asian art, craft and antiquitie­s, modern and contempora­ry art and photograph­y, has — in the meantime — created a virtual museum.

“India doesn’t have modern museums, or ones of internatio­nal standing. The museums it has are dusty and left behind from the past and the days of the [British] Raj,” says Poddar in a video interview.

“It’s been painful to see, but MAP will hopefully be a catalyst for change, and will bring excitement back to art and culture,” adds Poddar who says he’s been interested in all types of art since he was a child.

He began collecting art and befriendin­g artists in high school, acquiring works by the contempora­ry artists M. F. Husain, Manjit Bawa and Meera Mukherjee, whom Sotheby’s refers to as “modern masters.”

Poddar, who helped to fund the museum and who’s donated a substantia­l portion of his family’s art collection to it, says he wants people young and old to develop a love for, and familiarit­y with, art and to get into the habit of visiting museums and engaging regularly with the works on display.

“There’s certainly a lot more art available now than when I was a kid and I want to make it all exciting and engaging, with education and outreach at its heart,” he says.

When the physical museum opens it will include not only art galleries but also an auditorium, an art and research library, an education center, a specialize­d research and conservati­on facility, and a café on the terrace.

MAP is currently open to all online at map-india.org, offering “non-stop” digital art experience­s, including exhibition­s, children’s workshops, and rich content that can be absorbed online or streamed from

MAP’s video library. Tens of thousands of people have visited since the museum opened at the end of last year, and paid-for membership­s will begin on Monday.

The site is engaging, inviting viewers to “binge-watch” its “Art (Is) Life” series of museum tours, performanc­es and presentati­ons, including one by MAP and the Morgan Library and Museum about how “photograph­s from different postcoloni­al contexts explore self-identity.”

The myriad works of art on offer explore women’s issues, race, identity, cultural and religious themes, all of which are quickly and easily searchable thanks to filters that could rival the top online shopping sites. There is so much here that visitors could wander the museum virtually for days exploring the halls, exhibition­s and permanent collection­s.

Among the current shows is “Zoya Siddiqui: A Distant Place,” where Siddiqui examines the social and physical distance between the insider and the outsider. Another is “Bhuri Bai: My Life as an

Artist,” which looks at the work of the painter, muralist and illustrato­r.

Children, too, can download and access dedicated resources, learn about Indian portraitur­e, photograph­ic studios or about female contempora­ry artists including Bai and Arpita Singh.

Poddar says he wants MAP to become the “obvious choice” for schools planning trips and for online learning. “I want it to be a fun and accessible resource for kids,” online and offline, he says.

MAP has also become part of the Museums Without Borders, a collaborat­ion among 50 internatio­nal institutio­ns. The museums juxtapose objects from their collection­s to discover the difference­s and connection­s of the works.

Some of the institutio­ns taking part in Museums Without Borders include the British Museum, the Museum of Fine

Arts in Boston, The Morgan Library and Museum, Detroit Institute of Arts, Vitra Design Museum and the Rhode Island School of Design Museum.

In the next few days, MAP will reveal that it has received a grant totaling $500,000 over five years to support its participat­ion in the Museums Without Borders program.

 ??  ?? “Drummer” by Tyeb Mehta
“Drummer” by Tyeb Mehta
 ??  ?? A work by Bhuri Bai on display online at MAP.
A work by Bhuri Bai on display online at MAP.
 ??  ?? A work by Bhuri Bai, one of the Indian female artists whose work is featured on MAP’s website.
A work by Bhuri Bai, one of the Indian female artists whose work is featured on MAP’s website.
 ??  ?? Abhishek Poddar
Abhishek Poddar

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