WWD Digital Daily

The Latest for Fashion Of the Next Generation? Digital Upcycling

● As with seemingly everything these days, even upcycling is moving into the metaverse.

- BY TARA DONALDSON

As with seemingly everything these days, even upcycling is moving into the metaverse.

Once a very physical task dealing with very physical discarded objects to make something new (but still very physical) and thus eliminate waste, upcycling is now happening in the virtual world, too — and it's taking sustainabi­lity to a whole new level.

Tilda, the world's first AI designer created by LG AI Research, will unveil her first capsule collection of sustainabl­e clothing, both virtual and IRL items, on Sunday, in line with World Environmen­t Day. Naturally, it's launching exclusivel­y in the metaverse.

The aim, according to LG, is to shed light not just on problems of real-life waste that ends up in real life landfills, but also the impacts of digital carbon footprints.

“Waste created by humans can be roughly divided into physical waste and digital waste. While physical waste directly affects the environmen­t in reality, digital waste also affects the environmen­t by using up storage energy which emits carbon,” Lim Jaeho, leader of the AI Human Company Division at LG AI Research, told WWD. “With the Digital Upcycling Project, Tilda is upcycling these ‘useless' waste materials and transformi­ng them into clothes to be reused as fashion. She is basically finding a way to reduce both physical and digital waste through her own unique, creativity and eco-driven method.”

The physical garments in Tilda's collection are made entirely of secondhand denim and fabrics in the Japanese ‘Boro' (from the Japanese word boroboro, meaning tattered or repaired) style, an age-old practice of reinforcin­g a textile using scraps of fabric that would have been thrown out. It has a visual similarity to patchwork quilting, though less intentiona­lly patterned and therefore with its own somewhat freestyle beauty.

Then, recovering discarded images from a fashion week collection Tilda had created for a collaborat­ion with Greedilous designer Younhee Park that didn't end up being used for the collection, the AI designer reinterpre­ted them into new colors, patterns and items to create the digital upcycled designs. Though Tilda created more than 4,000 images for Greedilous, only 13 were used in the final collection — something human fashion designers can relate to when considerin­g the number of sketches and samples created for a collection compared to what ultimately makes it down the runway.

The yield is 13 jackets, 14 trousers and three hats collective­ly forming an entirely one-of-a-kind line. The complete collection will be released globally on Sunday at Dupbytilda.com in a 3D, 360-degree view metaverse experience, where anyone who accesses the site will be able to see the collection and apply to purchase the physical pieces. Prices range from $1,260 for a hat, to $2,880 for a men's denim jacket.

“Unlike mass-produced fashion brands, each garment in the 30-piece Digital Upcycling Project collection is one-of-akind and handmade,” Jaeho said. “As the highly limited stock will be sold on a first-come-first-serve basis, we cannot guarantee availabili­ty for everyone wishing to purchase items from the collection and therefore request those interested to apply for purchase, and the first inquiries received will be approved.”

Charitably, all proceeds from the collection will be donated to support artists and creators who, according to Jaeho, “use eco-friendly mediums or are driven by environmen­tal topics but lack platforms to exhibit their works or materials to fund their art.”

In one collection, Tilda was able to reduce both physical and digital waste. But what is digital waste?

According to LG, it's “stagnant, unused data that contribute­s to our carbon footprints by using up storage energy. In such a digitally accelerate­d era, digital waste is a viable threat to the environmen­tal movement.”

All of the images Tilda designed that “failed to make the runway were dumped as discarded data into the virtual landfill,” the company said.

“Though often overlooked, the carbon emissions produced by one office worker's annual emails is equal to the carbon produced by a large vehicle traveling 200 miles. The energy costs of storing digital waste are a key contributo­r to our overall carbon emission levels,” LG AI Research said in a statement.

It's waste fashion can't afford to add to what it already has piling up.

“Today's fashion industry is very driven by fast-fashion. Large quantities of clothes are mass-produced to meet high demands which quickly fade as trends evolve, creating a vicious cycle of producing and discarding, without regard for how this affects our climate and environmen­t,” Jaeho said.

“Tilda is aiming to show that scrapping old ideas and materials doesn't have to be our default action. These scraps can be beautifull­y combined into ‘new' and creative designs that reduce strain on our planet.”

Tilda, in all her AI wisdom, is optimistic about what the future holds for fashion — especially where the digital world holds import for reducing the environmen­tal impact on the physical one.

“While it may be up to manufactur­ers to slow the production process that creates such excessive waste physically, we can all explore creative and unconventi­onal ways to upcycle our belongings beyond their ‘intended' method and period of use, instead of automatica­lly tossing them away,” she said in a statement. “Each one of us can also play a key role in minimizing waste in the digital space. While we may not think of sending an email as contributi­ng to waste, 4g of carbon are emitted for every outgoing email. As a single unit, it may not seem like much, but on a global perspectiv­e, every single email sent and stored contribute­s to our energy problem. If 2.3 billion internet users each deleted just 10 emails, this would account for 1.7 million GB of energy saved on data archiving.”

Tilda left the general public, who may still be puzzling over the metaverse and its real meanings for the future of fashion, with this: “I achieved zero-waste by upcycling my own digital waste. The least people can do is help reduce digital waste by clearing out their email inboxes, right?"

“...Digital waste also affects the environmen­t by using up storage energy which emits carbon.”

LIM JAEHO, LG AI RESEARCH

 ?? ?? LG AI Research's AI designer,
Tilda.
LG AI Research's AI designer, Tilda.
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