WWD Digital Daily

The Eames Lounge, Other Iconic Designs Getting Reboot for Milan Design Week

The designs will be reimagined by a group of emerging designers for “Homage,” an exhibition in partnershi­p with the Masterly Dutch Pavilion and Netherland­s-based online marketplac­e Catawiki.

- BY JENNIFER BRINGLE

The Eames lounge. Pierre Paulin's Orange Slice. The Mackintosh Hill House chair. These iconic pieces by furniture masters have stood the test of time and changing fashion.

But during Milan Design Week from April 16 to 21, those designs and several others will be reimagined by a group of emerging designers for “Homage,” an exhibition in partnershi­p with the Masterly Dutch Pavilion and Netherland­sbased online marketplac­e Catawiki.

Eleven global designers selected famous furniture, decor and tabletop designs to reinterpre­t with their own twist into limited- edition pieces. The collection will be on display in the Palazzo Giureconsu­lti before going up for auction on Catawiki — an online auction house that specialize­s in art, design, luxury goods, jewelry and collectibl­es.

WWD caught up with a few of the featured designers to learn more about their creations.

Antonio Barone

Inspiratio­n: Isamu Noguchi's Freeform sofa

Italian designer Antonio Barone sees objects as a system of reversible companions, and he brought that ethos into his reinterpre­tation of Isamu Noguchi's open, rounded Freeform sofa. “Noguchi's sofa inspires us mostly for its combinatio­n of simplicity and fluid forms that make it a timeless, gentle piece,” Barone said. “Our intention was to render this organic design manifesto softer and even more informal.”

Barone achieved that by affixing a series of organic, moldable cushions atop a grid platform.

“The grid acts as a flexible ‘plug-andplay' infrastruc­ture that allows a range of combinatio­ns with different parts,” he said. “The form speaks essentiall­y about the search for comfort: This project is the result of the juxtaposit­ion of an organic re-shapeable cushion laid over a rational tabula rasa where the user(s) can try different ergonomics.”

Aptum (Tineke Beunders and Nathan Wierink)

Inspiratio­n: Charles Rennie Mackintosh's Hill House chair

Dutch design team Tineke Beunders and Nathan Wierink of Aptum specialize in custom lighting installati­ons that can vary from chaotic and colorful to geometric and sober. To reimagine the oversized geometric silhouette of the Hill House chair, the duo positioned a lamp with a grid coated on the front and back with color.

“When you see the two designs together you'll immediatel­y see the geometrica­l dessin,” they said. “You'll use this light in a corner, and it gives the corner a cozy, warm feeling.”

Beunders and Wierink said they selected the Hill House chair in part due to the way it was created.

“Charles Rennie Mackintosh worked together with his wife Margaret McDonald in a way similar to the way Nathan and I work together,” Beunders said. “There is something magical about creative couples working together, and we wanted to dive a bit deeper into their way of working. Research into their work made us happy.”

Richard Sapper's Plico folding trolley as reinterpre­ted by Bhulls.

Bhulls (Ricardo Parmiciano Borgström and Giorgia Farina) Inspiratio­n:

Richard Sapper's Plico folding trolley

Italian duo Ricardo Parmiciano Borgström and Giorgia Farina of Bhulls specialize in creating collectibl­e and unconventi­onal pieces that blur the lines between art and design. They felt a connection to Sapper's design style that made the Plico ideal as inspiratio­n.

“We were interested in measuring ourselves against the fluid tension that characteri­zes this timeless object,” they said. “Plico is a versatile and functional product with a strong aesthetic impact

— its apparent simplicity conceals great technique.”

In reinterpre­ting Plico for their Replico low table, Parmiciano Borgström and Farina saw a chance to return to their design roots.

“This project was an opportunit­y for us to return to square shapes and industrial process,” they said. “Replico is made up of three CNC laser-cut aluminum pieces.

This approach marked the beginning of our journey as a studio, which we had somewhat neglected recently to work on more curvy and entirely handmade projects.”

Stefan Scholten

Inspiratio­n: Charles and Ray Eames' Lounge chair

Known for his reductioni­st design style and distinctiv­e use of color, Dutch designer Stefan Scholten chose to recreate the classic Eames lounge chair and ottoman as one piece.

“My version has a direct relationsh­ip to the angles and proportion­s of the combined original lounge chair and ottoman,” he said. “I created a chaise longue.”

Scholten pays tribute to the Eames' California modern aesthetic while incorporat­ing his reductioni­st sensibilit­ies by stripping his L.A. Chaise Longue down to sculptural, ergonomic wood.

“The wood veneer and bending technique are a very distinctiv­e part of the original chair — in my design I wanted to emphasize that,” he said. “The chaise longue is reduced to the essence of what I find striking in the design.”

Vonn Jansen (Nick and Sophie Jansen)

Inspiratio­n: Gianfranco Frattini's side table and Vonn Jansen's Trinity dining table

Dutch brother-and-sister duo Nick and Sophie Jansen of Vonn Jansen took over their family's high-end furniture company, marrying the brand's craftsmans­hip with their modern aesthetic.

As head designer, Sophie chose two inspiratio­ns for this project: First, Gianfranco Frattini's midcentury side table — which features a two-drawer rectangula­r top on curved pedestal legs. And, second, Vonn Jansen's Trinity dining table, with a striking pedestal of offset stacked boxes and eye- catching patterned veneers.

“We chose the Gianfranco Frattini side tables as our inspiratio­n because when we saw the designs, it reminded us of the type of furniture our dad used to make, so we felt a connection with the design through the heritage of our company,” Sophie Jansen said.

For her creation, Jansen married the two pieces into a table that reflects the silhouette of the Frattini piece while expressing the Vonn Jansen essence through a stacked pedestal and houndstoot­h and basketweav­e patterned veneers.

“The piece reflects our look on modern design,” she said. “We love making items that really have their own identity and will be a statement piece in someone's interior, while preserving traditiona­l craftsmans­hip within our company and using the decades of experience we have in manufactur­ing high-end, quality furniture.”

Additional designer reinterpre­tations in the Homage collection include Dutch textile designer Aleksandra Gaca's take on Zaha Hadid's vases; Italian architect and designer Emanuele Ferraro of

Atelier Ferraro and Dutch ceramicist Simone Doesburg of Grace of Glaze both interpreti­ng Émile Gallé's floral glasswork; French designer Laurene Guarneri taking inspiratio­n from Pierre Paulin's Orange Slice chair for her Double Jaune mirror; Dutch maker Simone Post's spin on an Alessi whistling kettle, and Carla Joachim and Jordan Morineau of Studio Joachim-Morineau creating mirror platinum-finished wall decor inspired by the Christofle Talisman serving ware.

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 ?? ?? Design team Tineke Beunders and Nathan Wierink of Aptum reinterpre­ted Charlies Rennie Mackintosh's Hill House chair as a light.
Design team Tineke Beunders and Nathan Wierink of Aptum reinterpre­ted Charlies Rennie Mackintosh's Hill House chair as a light.
 ?? ?? Dutch designer Stefan Scholten's reinterpre­tation of the classic Eames lounge chair.
Dutch designer Stefan Scholten's reinterpre­tation of the classic Eames lounge chair.
 ?? ?? Antonio Barone's reinterpre­tation of Isamu Noguchi's open, rounded Freeform sofa.
Antonio Barone's reinterpre­tation of Isamu Noguchi's open, rounded Freeform sofa.
 ?? ?? Vonn Jansen reinterpre­ted their side table and Gianfranco Frattini's side tables.
Vonn Jansen reinterpre­ted their side table and Gianfranco Frattini's side tables.

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