Africa has lost a legend in Mr Ibu

THE death of Nollywood stalwart, John Okafor, has left a deep void on the African entertainment scene.

Better known as Mr Ibu, the hilarious actor starred in more than 200 films and gave us more than 20 years of fun.

Mr Ibu, who made us laugh effortlessly, has been hailed as a creative genius of our time.

He loved his job and that could be the reason why he remains one of the most popular Nollywood actors.

He was also simple and this boosted his appeal among viewers who realised very quickly that they were dealing with a man who valued originality.

He didn’t try to alter his looks, he was an African mad and proud of who he was.

His combination with Paw Paw (Osita Iheme) was a masterstroke.

The veteran actor, who died at 62, still had a lot to offer to the industry.

Sadly, he died when many people around the world still expected him to be around for many more years in which he would entertain us with his creative genius.

People who contributed towards footing his medical bills should be saluted.

Local actors can also learn one or two things from him.

His patriotism and creative edge made him a cut above the rest.

Mr Ibu was every producer’s favourite actor in Nollywood.

This has been evidenced by the glowing tributes which are pouring in for the late actor.

He will easily be remembered for his roles in Mr Ibu Comes to London (2004), Parish Priest (2006), A Fool at 40 (2006), among other hit productions.

Local actors should learn from the best and Mr Ibu was in a league of his own.

His commitment to his work made him a darling for many.

It’s hard to ignore such characters who have made an impression in the film sector.

His rare feat is hard to match considering where he came from and what he became on the continent’s entertainment industry.

Zimbabwean filmmakers and actors should copy the successful story of Nollywood.

The film industry is a billion-dollar industry.

Nollywood was not built in a single day and it is up to local filmmakers to establish themselves across the continent and even beyond.

However, the film industry requires funding to thrive.

The local film schools, which continue to churn out fine creatives, require funding from various stakeholders.

We call upon the corporate world to invest in the film industry for the Zimbabwean story to be told in the best way possible.

Zimbabwe has produced some of the finest actors and actresses but lack of funding is hindering their growth.

Nollywood is backed by billionaires.

What is only needed for Zimbabwe to make an impression like what Nollywood has done is self-belief, financial backing and proper structures.