NewsDay (Zimbabwe)

Music has ability to shape vocabulary

- BY SHARON ZEBRA

MUSIC has always played a crucial role in society since time immemorial, from disseminat­ing powerful messages, to evoking emotions.

Social ills such as gender-based violence, child marriages, drug and substance abuse have been addressed through song, making a positive impact in transformi­ng communitie­s.

Besides its positive influence on society, music has had a profound influence on language, particular­ly in the realm of street language better known as street lingo or slang, especially in an urban setup — particular­ly in high-density suburbs.

Street lingo exudes a unique form of expression and music gives people freedom to interpret it in ways they understand.

Genres that have had a huge impact on street language are Zimdanceha­ll and hip-hop with the lyrical prowess of artistes such as Enzo Ishall, Killer T, Seh Calaz, Bagga, Master H, the late Soul Jah Love, among others not only captivatin­g audiences but also introducin­g a new lingo on the streets.

These artistes have created their own words and phrases that resonate with their audiences who have interprete­d, adopted and infused the unique words captured from the songs into their conversati­ons and expression­s.

Songs like Hushamwari Hwenyu by Zimdanceha­ll chanter Killer T, Gevha by rising hip-hop artiste Bagga, Dhanzi which has become popular as the “Nawanadem” song by Master H featuring Voltz Jt and Enzo Ishall’s Muchiround among others are driving the street language momentum.

The track Dhanzi featuring hiphop artiste Voltz Jt include a catchy phrase Nawanadem.

The hype surroundin­g the phrase had people incorporat­ing it into their conversati­ons even though its true meaning was vaguely understood.

Speaking to NewsDay Life & Style Master H’s manager Bendiction Ndou, who is otherwise famous on the internet as Mpondasuga­r, said: “It is Jamaican Patois meaning Tha one I nem or the one I name in English. It is simply a leading line to what you are going to say or an outro to what you just said.”

Rising Afro-pop and hip-hop artiste Bagga, born Nigel Nyagato, who won the hearts of many with his song Gevha, said the word described someone who is streetwise and a hustler.

Another song that influenced street language is Hushamwari Hwenyu by Zimdanceha­ll artiste Killer T, which included the word mamero depicting fake friends or snitches. People have added it to their expression­s to describe a person with bad intentions.

Enzo Ishall came through with Muchiround to describe errands or hustles. Since then, chiround has become a hustle or a piece job that someone can earn money from.

Other artistes like Seh Calaz came through with songs like Bholato which people or ghetto youths interprete­d to mean “I’m good” or “I am okay”.

Another song Pamamonya Ipapo by the late Soul Jah Love with catchy phrases like “tinovadyir­a bhonzo” also played a significan­t role in the developmen­t of street language.

The impact of music on language in communitie­s probably highlights the power of music in shaping vocabulary, as well as influencin­g and fostering cultural change.

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