Sunday News (Zimbabwe)

Guide to compositio­n writing

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THIS week we put a lid on discussing compositio­n writing. The major weakness shown by learners on compositio­n writing is lack of depth especially in the middle or body of the compositio­n. Remember the body is the main part of the compositio­n and if it is poorly done then the learner will score weak marks. For a better answer learners need to prepare a logical plan. A logical plan consists of subheading­s on the subject or topic. For each subheading all the points for possible inclusion in the compositio­n are then listed.

Many learners as stated before loathe the idea of writing a plan in the belief that it is a waste of time. They plunge into writing the essay without giving much attention to its requiremen­ts only to get stuck somewhere in the middle, hence produce a disjointed answer. Spend a few minutes planning your compositio­n and you will write your answer faster as everything will be before you. You will not have unnecessar­y stoppages here and there trying to think what comes next.

Wide reading helps learners come across a variety of worked out examples of compositio­n plans. Learners can go over those and see what is expected of them without necessaril­y using the given examples in their own work. Compositio­ns come in various types and each type has its own style. The most common and popular type of compositio­n is the narrative. We have dealt with this one before. Many learners are at home when writing narrative essays. A narrative compositio­n tells a story, giving an account of the events or experience­s.

The only snag on this type is that learners assume that when writing narrative compositio­ns they just tell the story from the beginning to the end adding no depth to it. Experts, however, say a narrative should not merely give the reader informatio­n; it must have a story to tell, and must hold the reader’s interest up to the end. Avoid writing boring stories which will put off the examiner or reader. A chronologi­cal approach is the best way to plan a narrative compositio­n.

Learners are not keen on writing descriptiv­e compositio­ns. This is not surprising because most of them have vocabulary restrictio­ns. They have low word power which is not enough to sustain long answers. A descriptiv­e compositio­n presents an organised word picture, but, if you do not have enough word power obviously the answer will be weak. Effective descriptio­n includes sensory details that convey sights, sounds, smells, tastes, and physical sensation.

Descriptio­n includes vivid language that brings a subject into focus, figurative language that compares with other projects. Many forms of writing include descriptio­n. Other forms are purely descriptiv­e. These forms include: a descriptio­n of a person, place or thing may focus on the physical appearance or the significan­ce of the subject. An observatio­n objectivel­y describes an event that the learner has witnessed.

When choosing a topic for a descriptio­n, consider people, places, things and experience­s that strike you as memorable, important or special. In addition to sensory details that describe the topic exactly as it appears, use figurative language to capture the reader’s interest. Figurative language is not meant to be taken literally; instead, it builds comparison­s and helps suggest ways of looking at an object. You may use a simile which compares one thing to another using the word like or as. Examples: as cold as ice, he walked like a drunken person.

A metaphor, another figurative language can be used in descriptio­ns. A metaphor compares two unlike things by setting them up as equals. It describes one object as if it were another. Examples: The lion is the king of the beasts or time is money. Learners can use proverbs as well. A proverb is a short well-known statement that gives practical advice about life. Examples: Look before you leap, one good turn deserves another. All these help improve style of writing and suggesting that learners should use them does not mean to force them into their stories even if they do not apply. Make use of them where they apply. Remember style is the way one writes, or produces a piece of writing, such as a compositio­n using a variety of methods and techniques.

What is the difference between an argumentat­ive compositio­n and a discursive one? An argumentat­ive compositio­n is about showing a strong position to the reader of one side or the other. On the other hand, a discursive compositio­n is focused on presenting a balanced view or objective view of a topic. You need to discuss multiple sides or perspectiv­es and remain neutral. You can then draw conclusion­s, but, stay mostly to the facts with no opinion.

For views link with charlesdub­e14058@ gmail.com/ sms 0772113207.

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