Could Eco-Literature be the next major literary wave?
ECO-literature includes the whole gamut of literary works, including fiction, poetry and criticism, which lay stress on ecological issues. Cli-fi (climate fiction), which deals with climate change and global warming, is logically a sub-set of eco-literature. Most of the current writing under this genre looks at human activities that have been killing nature slowly.
Cli-fi often ventures into the realms of sci-fi and/or speculative fiction when the narrative gets rooted in future or in an imaginary geographical locale.
The litmus test is how far such fiction evokes in the reader a sense of urgency towards an action to save the environment, or, if they are capable of leaving a deep impression to humans conscious of their role in saving the earth.
The crux lies in ensuring that such literary works do not sound like propaganda and should necessarily carry with them deep literary values. Authors need to ensure that they do not artificially structure their plots or introduce characters in their narrative to justify their labelling as eco-literature, which they have largely failed to do.
This is why the eco-literature wave did not reach greater heights, though the modern eco-lit wave started in the 1970s. Authors could induce a tendency in the readers’ minds to dismiss them off as a kind of “moral literature” dictating the dos and don’ts towards the environment, albeit in a subtle way through a structured ‘moral’ story.
The genre of cli-fi seems to have given regular novelists just another platform and locale to shift their storytelling from the normal world’s heinous crimes to ecological crimes perpetrated by either villainous individuals or corporations. Such crimes include causing massive glacial ice melting and flooding cities, resulting in huge disasters with heroic characters rising up to the occasion to save humanity. But such plots, more often than not, make uninteresting reading.
The real ecological issues lie elsewhere. There has been a rapid loss of ecological species with the progress of time. Natural habitats keep shrinking due to human activity. Wildlife poaching has resulted in species becoming endangered, pushed to the brink of extinction.
Illegal large-scale mechanised fishing has resulted in the erosion of ocean biodiversity. Large scale deforestation across the world has led to displacement of tribal populations and consequently, loss of their culture and languages.
Is it not contemporary literature’s responsibility to capture such catastrophes? But in reality, how far have the literary works of today focused on such burning issues? A careful analysis of the contemporary works of literature may only lead one to disappointment.
The juries of various literary awards seem largely uncaring about ecological issues. Contemporary literary works need to focus on the effects of ecological havoc on humans: how large scale tribal populations lose their habitats to give way to gigantic industries; how human activities have been shamelessly insensitive towards other living species in the environment.
More often than not, classical and ancient literature from almost all parts of the world had some form of ecological narrative in their literary constructs. Animals and birds, oceans and lakes, skies and trees have been a part of storytelling from time immemorial.
They made entry and exit into the stories very naturally in their original forms or as special avatars without affecting the story’s narrative flow. A sort of ancient and enduring magical realism, so to say. But the world was different then; man was not hell-bent on destroying the environment and lived in harmony instead, or maybe man’s destruction was still limited in scope.
Eco-literature is not nature writing. It is not romantic poetry. It is not about how humans live in forests or in mountains. In such cases, the writing would be only a realistic portrayal, just like in other human environments. Rajesh Subramanian is based in Chennai. He is a literary critic, translator and the editor of the online literary magazine Modern Literature. He can be reached at thesrajesh@gmail.com.
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