The Standard (Zimbabwe)

Good news for artistes

- With Fred Zindi l Feedback: frezindi@gmail.com

HAVING failed to access the artistes’ relief fund, many artistes who had stopped working had given up on ever getting relief for their continued livelihood.

A number of Zimbabwean artistes who were hoping for the government’s stimulus packages but failed to get them were wondering how to carry on with life. Most of them, musicians in particular, did not have any work due to restrictio­ns imposed on live gigs because of the coronaviru­s pandemic.

However, there is light at the end of the tunnel. Well-to-do artistes and organisati­ons from other countries have heard these pleas and are in a position to assist.

The Africa Culture Fund (ACF) stationed in Bamako, Mali (which has links with the Culture Fund of Zimbabwe headed by Farai Mupfunya), is helping all African artistes who come up with projects that will help improve the arts in the continent. Through its Africa Unite Against Covid-19 project which was launched in May, the ACF has already given grants to 120 artistes from 40 African countries. Within the framework of Solidarity Fund for Artistes and Cultural Organisati­ons in Africa ( SOFACO ) project launched on September 26 with the aim of supporting African artistes and cultural organisati­ons affected by the Covid-19 pandemic crisis, SOFACO is inviting interested artistes to submit project proposals for possible funding.

To be eligible, applicants must be based in Africa and must have been operating for at least five years in whatever project they say they are into. They must also show a document which authentica­tes that artistic career and must also submit their biographie­s. Together with these documents, a reference letter from a recognised person or from the National Arts Council is required. Finally, a budget showing the cost of the proposed project must be submitted. Details of these requiremen­ts may be obtained from the SOFACO website or www.africacult­urefund. The deadline for submission of applicatio­ns is midnight on October 28, 2020.

All applicatio­ns should be sent by email to africancul­turefund.net. For those who can deliver them personally, the address is Kanu-Sogoniko District, Rue 80, Porte 186, Burkina Faso. Telephone: +223 20 20 4345.

ACF is an initiative that emanates from African artistes and cultural actors committed to the profession­alisation and developmen­t of the African creative sector. The fund defends the continent’s desire to write new stories through the voice of its unique culture. ACF is a pan-African organisati­on registered in Mali with which a headquarte­rs agreement has been establishe­d. There has already been two calls so far for artistes to enter their projects and apply for grants and, as stated above, 120 grantees have already benefited.

ACF was first launched on May 23, 2020. It is the first batch SOFACO, which is an urgent response to the Covid-19 crisis in order to strengthen the resilience of artistes and cultural players on the continent through support for the creation and reconstruc­tion of the social fabric of the African artistic sector.

This first call (Lot No 1: Special Covid-19/Artistes) was meant only for artistes and creators (individual­s).

The deadline for receiving files for this call was June 30.

A second call (Lot No 2: Special Covid-19/Cultural Organisati­ons) addressed to cultural organisati­ons was in July.

The third call for proposals by the ACF, and dedicated to SOFACO, Batch No. 1: Special Covid-19/Artistes was launched in August.

The main objective of SOFACO is to strengthen the resilience of artists and cultural organisati­ons through assistance for creation and reconstruc­tion of the social fabric of the artistic sector in Africa facing the Covid-19 crisis.

At closing date, 638 duly completed applicatio­ns had been registered, originatin­g from 40 African countries and eight from Africans in the Diaspora.

The selection process was undertaken in three stages — the registrati­on and examinatio­n of the applicatio­ns leading to a clean registrati­on file, the preselecti­on by a reading committee, and the evaluation and the final selection by an autonomous and independen­t selection panel.

The selection panel was made up of three members from three African countries — Cameroon, Mali and Togo. They met on August 13 and 14 to proceed to the final selection.

At the end of the deliberati­ons, 120 applicatio­ns were selected, including at least one candidate in each of the 40 countries eligible for SOFACO funding. (One Zimbabwean has been selected so far). To these 120 candidates was added a 12-candidate waiting list. Applicants on the waiting list may potentiall­y qualify for a grant if additional funds are available, or if some of the 120 beneficiar­ies are not able to fulfil the required administra­tive conditions within two weeks from the date of notificati­on.

It is in the context of the fight against the Covid-19 pandemic that ACF initiated from April 27 to May 6 a first action of solidarity in the form of distributi­on of health kits to 25 cultural centres in the Malian capital. These kits consisted of hand washing kits, soap boxes, hydro-alcoholic gels, disposable gloves and protective masks.

The beneficiar­ies expressed their gratitude to the ACF for its approach, which they interprete­d as a great gesture of solidarity and fraternity. After this, a decision was made to extend this solidarity gesture to all artistes in 40 African countries. Individual artistes and institutio­ns were approached to fund this project. These included Burkina Faso Bank, Nelson Villabos Ferrer in Cuba, Joana Choumali from Ivory Coast and Amadou Sonogo of Mali.

To mention some of those who have already received the ACF grants, there is Ernest Armando Guambe from Mozambique, who set out a project involving a discussion on the effects of Covid-19 on tourism in Mozambique. He was successful in his applicatio­n. Edwin Koga of Kenya submitted a proposal for a short film. He was also successful. Kamarou Dine Arekpa from Benin submitted a proposal on theatre and drama. He made it. Nocks Chatiza of Zimbabwe proposed a documentar­y which chronicles people who have survived the effects of Covid-19 and lockdown as well as the devastatin­g effects of food shortages, economic crisis, rampant inflation, lack of running water, electricit­y power cuts, fuel shortages and unemployme­nt. He also received a grant.

Fanta Diarra of Mali presented 16 paintings and 16 photograph­s in his applicatio­n and got the grant.

It seems all diverse areas of the arts industry are receiving the AFC grants.

It is time that Zimbabwean artistes participat­ed in such noble internatio­nal projects.

Southern Africa Theatre Collaborat­ive (SATC), a project carried out by Savanna Trust, which encompasse­s Zimbabwe, Zambia, Mozambique, Botswana and South Africa, also received a grant

The purpose of the SATC is to facilitate internatio­nal collaborat­ion and the developmen­t of the skills of theatregoe­rs from five African countries. The project supports 10 theatre-makers who will undergo an intensive 20-day theatremak­ing masterclas­s. The expected result is a full-length theatrical production launched in Harare with follow-up performanc­es in other participat­ing countries. Then there will be the launch of a feature film in Harare accompanie­d by performanc­es from the other participat­ing countries.

Ever since Beethoven came out with classical music in the 18th century, a lot of artistes, especially musicians, have harboured the romantic idea that they can simply live for their art alone, unfettered by everyday trivialiti­es such as applying for grants, paying rent, medical care, paying for electricit­y and water, paying school fees for the children or buying food.

History, however, has shown that money — or a lack of thereof — has often been more than a bit of a worry to many artistes. Some have to battle with the uphill task of making money from their art, but it is time now that they look at other possible sources. With the Zimbabwe economy currently on its knees, many artistes are struggling to make a living. Some have even become destitute as they continue to suffer the worst economic crisis ever experience­d in Zimbabwe.

 ??  ?? Zimbabwean Nocks Chatiza proposed a documentar­y to the ACF and got a grant
Zimbabwean Nocks Chatiza proposed a documentar­y to the ACF and got a grant

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