The Sunday Mail (Zimbabwe)

We can get rich pickings from arts, crafts exports

boasts ZIMBABWE vibrant arts and crafts, which have thrived for generation­s and supported communitie­s for centuries.

- ◆ Allan Majuru is the chief executive officer of ZimTrade. Allan Majuru

From meticulous­ly carved wooden sculptures to intricatel­y woven baskets, these creations are not just beautiful objects, but also expression­s of Zimbabwe’s cultural heritage passed down through families and communitie­s. But local arts and crafts are not a hidden gem, as the country has for long shared its artistic legacy with the world, exporting not just these stunning crafts but also the very essence of its culture.

From the pre-colonial era to modern times, Zimbabwe has had a strong reputation for high-quality and unique pieces.

Its art is in demand around the world. For example, Zimbabwe’s stone sculptures, produced from hard stones like serpentine and black granite, have gained internatio­nal recognitio­n for their unique style and beautiful depictions of human and animal forms.

In light of President Mnangagwa’s emphasis on positionin­g Zimbabwe at the centre of global supply chains, it is important to consider the arts and crafts sector as one of the low-hanging fruits.

Last year, the President launched National Culture Month in Binga, Matabelela­nd North, to showcase the country’s rich cultural diversity.

It is believed Zimbabwe could unlock economic gains from the unique aspects of localities, as well as its cultural heritage.

To ensure creatives improve earnings from their hard work, ZimTrade, the national trade developmen­t and promotion organisati­on, is working with local and internatio­nal experts to develop capacities and improve the competitiv­eness of local artists in internatio­nal markets.

These interventi­ons are designed to make it easy for local artists to access lucrative internatio­nal markets such as Europe, the Middle East and Asia.

The renewed focus on the arts and crafts sector has had positive outcomes for the country’s exports in the past few years.

According to the Zimbabwe National Statistics Agency, the sector grew by 15 percent to US$10 million in 2023, up from US$8,7 million a year earlier. At the start of the year, arts and crafts exports increased by 19 percent to US$683 000 in January 2024, from US$572 000 in the same period in 2023.

The coming in of export clusters, such as the Mashava Arts Cluster, establishe­d by ZimTrade to integrate small players in exports, is expected to contribute towards further export growth from the sector.

To ensure sustained growth, there are, however, areas local artists need to consider.

Segmentati­on and unlocking niche markets

The first step in exporting arts and crafts is understand­ing the diverse preference­s of the global consumer base.

Although arts and crafts exports are about sharing Zimbabwe’s cultural diversity, there is a need to ensure that the local practices and interests align with the expectatio­ns of the market. For example, issues of eco-friendly and ethical sourcing are increasing­ly becoming important to buyers in Europe, and when targeting such markets, there is a need to ensure that locally produced products respond to such emerging issues.

Artists targeting the European market must consider use of natural materials and sustainabl­e practices in their production process. This will ensure easy sales. Through segmentati­on, businesses can identify specific groups with common interests, behaviours and needs.

This approach allows artisans to tailor their products to niche markets, ensuring that each creation resonates with a distinct audience. Further, the broad buyer groups identified for Zimbabwe’s arts and crafts are locals, the tourist market and export market.

Too often, artists wish to export all they produce without a good grasp of what items appeal to which audiences.

For instance, when one considers the segmentati­on of traditiona­l handmade pottery, while some consumers may be drawn to the rustic charm of traditiona­l colourful designs, others may seek more plain, modern and minimalist pieces. This differs from country to country and region to region.

Some pieces make sense for tourists because they have a connection to the place and understand the piece, especially if they have met the artist. The same piece may have no appeal whatsoever to a person in a foreign market who has neither been to Zimbabwe nor has any connection to the local traditiona­l art.

By recognisin­g these distinct preference­s, artisans can refine their offerings and effectivel­y cater for a variety of tastes. Connecting with the right audience Once segmentati­on is complete, the next crucial step is targeting, the process of directing marketing efforts towards the identified segments. Crafting a compelling narrative that aligns with the values and preference­s of the target audience is essential.

This not only fosters a connection but also increases the likelihood of successful sales.If an artist, for example, specialise­s in creating eco-friendly and sustainabl­e crafts, targeting environmen­tally conscious consumers becomes paramount.

Communicat­ing use of recycled materials, ethical production processes and the impact of their purchase on local communitie­s adds depth to the product story, making it more appealing to the targeted audience.

Going a step further by creating informatio­n cards with full product descriptio­ns also helps draw the environmen­tally conscious buyer, who has enough informatio­n to use when discussing and showing off the piece to friends and peers in Europe.

Acquiring certificat­ions to back claims of ethical extraction and use of raw materials has become increasing­ly important in some markets that are serious about sustainabl­e environmen­tal practices.

Zimbabwe has had a strong reputation for high-quality and unique pieces

Carving a distinct identity

Positionin­g is the final piece of the puzzle. This is about determinin­g how a brand or product is perceived in the market.

In the arts and crafts export industry, effective positionin­g involves highlighti­ng the unique cultural and artistic aspects of each creation.

This not only differenti­ates the product from competitor­s but also adds value in the eyes of the consumer. A good brand name comes in handy as it helps the product to be easily recognised. It also helps in building a loyal audience

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