3D World

Spot­light on our con­trib­u­tors

- Entertainment · Arts · Animation · Martial Arts · Sports · London · Vancouver · Turkey · Kung Fu Panda · Electronic Arts · Paris · 3D Studio Max

Francesca For­zoni A 3D artist/vi­su­aliser in Lon­don, Frankie re­cently moved from post-pro­duc­tion to brand­ing and pack­ag­ing and cur­rently works at De­sign Bridge. She joins our Artist Q&A panel on page 30 to ex­plain how to cre­ate a liq­uid-me­tal ef­fect in Cinema 4D. www.francescaf­or­zoni.com Paul H. Paulino Paul is a tex­ture painter and look devel­op­ment artist cur­rently work­ing in Vancouver, Canada, at Scan­line VFX. You can read his tu­to­rial on page 60, where the artist re­veals how he uses ref­er­ences to model and tex­ture a life­like bird in Maya, Mari and V-ray. www.paulh­paulino.com Mark Os­borne Mark is an Amer­i­can film­maker and an­i­ma­tor who brought the world Kung Fu Panda. This is­sue we catch up with the di­rec­tor to dis­cuss the cin­e­matic adap­ta­tion of The Lit­tle Prince, and how he mixed ren­dered CG an­i­ma­tion with tra­di­tional stop-mo­tion. www.bit.ly/208-mark-os­borne Josh Carey Josh is the head of rigging at Reel FX Stu­dios and co-founder of the on­line rigging school, Rig­ging­dojo.com. This is­sue Josh re­veals how he cre­ates and uses the rib­bon rig tech­niques to cre­ate unique an­i­mal an­i­ma­tions – read the train­ing on page 70. www.cgjosh.com Per Haa­gensen Per is a con­cept artist and il­lus­tra­tor work­ing at EA stu­dio DICE. This is­sue, on page 40, we sit down with Per to dis­cuss his ca­reer, why he moved from tra­di­tional artist to CG and how he feels his back­ground helps him cre­ate amaz­ing art. www.bit.ly/per-haa­gensen Lu­dovic Lieme Lu­dovic is a CG gen­er­al­ist artist based in Paris who has worked in the ad­ver­tiss­ing, an­i­ma­tion se­ries and fea­ture an­i­ma­tion movies sec­tors. On page 74 Lu­dovic re­veals how to make a fluffy, furry crea­ture from scratch us­ing 3ds Max and Or­na­trix. www.art­sta­tion.com/artist/lu­dovi­clieme

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