Artichoke

Curtin Connect

- Words — Rachael Bernstone Photograph­y — Joel Barbitta

Geyer

With a university population of more than 58,000 students, Perth’s Curtin University engaged Geyer to overhaul its student services interface, restoring a campus jewel in the process.

Before the new Curtin Connect opened at Curtin University in 2017 – taking up residence inside an imposing brutalist building that has been stripped back to reveal its original splendour – students had to visit several offices across the campus to engage with representa­tives from multiple department­s to resolve administra­tive queries.

Now, several back-of-house department­s have been accommodat­ed inside one building and their public face, Curtin Connect, is located next door, thereby streamlini­ng processes for students and staff. Curtin was founded in Perth as a technical institute and was laid out in the 1960s by public works architect Vin Davies. He masterplan­ned the buildings and sports fields within the grid of a pine plantation that had occupied the site since the 1930s, and his signature architectu­ral style – buildings constructe­d with bricks and off-form concrete – establishe­d the language for the institutio­n’s subsequent developmen­t.

At the heart of the campus and a prime example of Davies’ approach is Building 102, a brutalist structure that contains a timber-lined performanc­e theatre complete with its original stage. Over the years the building had been converted into office space, and those later additions had obscured its monumental qualities.

Entering the space now for the first time, one can’t help but be captivated by its scale and the original jarrah-lined ceiling, which folds down to enclose the central section. “We kept the original timber and concrete, and removed the fluorescen­t lighting and replaced it with LED lighting,” says Geyer’s design manager Stephen Pooley. “This was all here before, but nobody came in here, and you couldn’t appreciate the bones of the building anyway, because of the office partitions and new upper floor.”

Upon arrival, students have two options: access the self-service terminals at the raised “Tech Bench,” positioned to highlight the sculpted off-form concrete wall behind it, or take a ticket for an appointmen­t with staff. An SMS alert system allows students to leave the building to visit nearby cafes or the library, or they can stay and use the wifi and charging points.

It may appear simple and straightfo­rward now, but behind the scenes, the project required a major internal reorganiza­tion, says Pooley. “The initial briefing period was three months, during which we undertook a series of staff workshops,” he recalls. “We were working with ten department­s in ten different locations across campus. We ended up with fifteen separate office moves. The staged constructi­on program took ten months, so we built a pop-up student services facility while we relocated Campus IT and the marketing and finance department­s.”

They are now co-located in the adjacent Building 101, the first building completed on campus in 1966, which was originally an administra­tion hub. Inside, Geyer removed partitione­d offices

and converted the basement carpark to make way for a two-storey office design that encourages communicat­ion and collaborat­ion.

“Before, people were quite siloed in their work environmen­t, so the major change here was cultural change, and [it was] a bit of a shock for the staff, to be honest,” Pooley says.

The new arrangemen­t means that most student enquiries – and there can be one thousand per week during peak times – can be addressed digitally or via short face-to-face meetings in Building 102. Desks for that purpose place staff alongside students for a less combative experience, and there are different spatial types available should the query demand extra privacy or time.

Geyer identified four main tiers of engagement and provided appropriat­e seating and furniture. Tier one includes the Tech Bench and the Connect Lounge, an ergonomic waiting area that facilitate­s the use of hand-held devices and features flexible furniture on the graded former stage. Standing desks are equipped with all-in-one computer monitors, printers, student card readers and point-of-sale facilities to tackle short queries. Tier two provides conversati­on-style settings with pairs of Prooff Earchair Armchairs, which create a relaxed and discrete environmen­t with more visual privacy. Tier three comprises open consultati­on rooms. And finally, tier four includes closed consultati­on rooms in this space and in the nearby foyer of Building 101.

Throughout all the new spaces there is an emphasis on employee health and wellbeing, which stems from Curtin’s position as one of the world’s leading research centres into the health effects of prolonged sitting and reduced physical activity. The university is keen to demonstrat­e leadership on this issue, and consequent­ly every new desk has sit/stand capacity to encourage staff to move around freely during the day. Generous kitchen and dining facilities and a newly enlarged outdoor courtyard provide an appealing destinatio­n for staff to prepare meals and gather during breaks.

The design also prioritize­s access to views and natural light, and in the office area, the various department­s are segmented by large planters full of greenery and a modular custom-designed timber screen that appears in various guises throughout the project. Geyer also reinstated the open courtyard between buildings 101 and 102 to increase natural light into both structures and improve pedestrian circulatio­n around them.

Now, thanks to Geyer’s painstakin­g reworking of these two early campus buildings, and the careful planning of the spaces within them, the central zone of the campus has been restored. By bringing together Curtain Connect and the administra­tive functions that underpin it, Geyer has reinstated the geographic heart of the university according to Davies’ original plan. A

Project —

Curtin Connect Buildings B101 and B102 Bentley Campus Curtin University Kent Street, Bentley, Perth WA 6102 +61 8 9266 9266 curtin.edu.au

Design practice — Geyer

The Old Cloister Level 1,

200 St Georges Terrace Perth WA 6000 +61 8 9321 6245 geyer.design

Project team — Steven Pooley, Kim Thornton-smith, Simone Oliver, Peta Rae, Angela Kuroiwa, Stephen Mcdonnell, Lan Chung

Time schedule — Design, documentat­ion: 8 months Constructi­on: 8 months

Builder — Swan Group

Engineers —

BCA Consultant­s, Wood and Grieve Engineers, Milestone

Project manager — RPS Group

Lighting — JSB Lighting

Products — Walls and ceilings: Zintra acoustic wall panel in ‘Cinnamon’ and Ecoustic wall panels in ‘Natural’ and ‘Taupe’ from Instyle. Bulletin board in ‘Baby Lettuce’ and ‘Nutmeg Spice’ from Forbo. Laminex Impression­s laminate in ‘Sublime Teak.’ Cotto Manetti terracotta panel in ‘Rustic Split’ from Artedomus. Walls painted in Dulux ‘Natural White.’ Ceiling painted in Dulux ‘Timeless Grey’ and ‘Ceiling White.’ Autex Quietspace Lattice.

Windows and doors: Doors painted in Dulux Duralloy ‘Notre Dame.’

Flooring: Artisan woven vinyl flooring in ‘Coal’ from Bolon. Marmoleum Real vinyl flooring in ‘Graphite’ from Forbo. Tweed carpet from Desso. Carpet in ‘Grass’ from Interfacef­lor.

Lighting: Muuto Unfold lamp from Living Edge. Berber Coal spun pendant from Jardan.

Furniture: Kayt Quiet alcove seating, Humanscale task chair and OTM table from Schiavello. Bloom Circlet modular seating and Duet Low stool from Stylecraft. Unnia chair, Dunas LB armchair and Pedrali Bold table from Mobilia. Pebble seating from Zenith. Seb stool, Pearl swivel chair, Phoenix Butter side table and Stanley stool from Jardan. Fabric panelling in ‘Surrey’ and ‘Edinburgh’ from Camira. Messenger fabric panelling in ‘Sycamore,’ ‘Voyage,’ ‘Jetty’ and ‘Pensive’ from Kvadrat Maharam.

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