Artichoke

Light Years Skin Studio

Sculptural formations of joinery and a trio of individual treatment pods within shrouds of sheer curtaining distinguis­h the unique interior of Light Years Skin Studio on Queensland’s Gold Coast, designed by Maher Design.

- Words — Sheona Thomson Photograph­y — Andy Macpherson

Maher Design

The Light Years Skin Studio was created through a virtual collaborat­ion between Melbourne-based designer Geraldine Maher of Maher Design and her client, Megan Jurisich. Located in the Oracle Boulevard developmen­t at Broadbeach on Queensland’s Gold Coast, the project also represents a triumph against adversity – an innovative new business designed, constructe­d and launched in four months during pandemic-response conditions that brought many others down.

In its underpinni­ng ethos, Light Years responds to the new world order with a business model built around a low-to-no-touch, short-duration service of light therapy treatments within individual, socially distanced “micro retreat” spaces.

Although ostensibly a “beauty treatment” space, Light Years feels like something different, something new. There was a real desire to work against expectatio­ns in this regard and particular­ly to avoid lengthy, expensive treatments among pseudo-medical stylings. Instead, Maher has created a sense of warm authentici­ty to express the business’s ethos, communicat­ing a sense of environmen­tal responsibi­lity intended to engage a more pragmatic customer interested in self-care but not in time-consuming pampering. Fuelled by a minimalist premise that seeks to strip away the “fluff,” Light Years offers very few treatments beyond the signature LED therapy. This less-is-more attitude also applies to patrons’ time through treatments that typically take 15 minutes and certainly no longer than 30. Just as a short nap is sufficient­ly refreshing to reboot energy levels, so these brief treatments offer an opportunit­y for a time out with therapeuti­c benefits.

The abstracted forms of the sculpted interior speak directly, if playfully, of functions. The 50-square-metre space consists of four zones: reception and point of sale, LED therapy pods, a small treatment room for the few other services on offer and a small staff preparatio­n area. Enclosed by translucen­t wraparound curtains suspended from dropped ceilings, the three triangular pods are akin to grown-up cubbyhouse­s and provide real points of attraction.

The elegant plan promotes a feeling of generosity in this small space. Although functional zones are distinct, they are not cut off from each other. The use of cork to clad the sculptural joinery elements and the wall surface in the treatment space creates such consistenc­y that these elements feel carved rather than constructe­d. As an antimicrob­ial and antibacter­ial material, cork neatly communicat­es the intended ethos of authentici­ty, naturalnes­s and warmth while maintainin­g hygiene standards.

The cork-clad cabinetry is striking against the feature wall of peacock blue and accommodat­es reception, point of sale, product display and storage, and frames the distinctiv­e and delicate Light Years logotype expressed in brass. A freestandi­ng

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 ??  ?? Right — The design eschews a traditiona­l counter to maintain circulatio­n space and reinforce the skin studio’s ethos of openness and approachab­ility.
Right — The design eschews a traditiona­l counter to maintain circulatio­n space and reinforce the skin studio’s ethos of openness and approachab­ility.
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