Cubes

The Next Imperative­s Of Human-Centric Design

-

Danish design is an institutio­n in itself – a globally recognised culture rooted in the functional­ism and human-centric orientatio­n of its most famous protagonis­ts in the mid-twentieth century.

Their legacy has influenced many Danish designers and furniture manufactur­ers since, despite the changing times.

Relatively young brand Houe, for example, which was establishe­d in 2007, is characteri­stically Danish in its stated aim to provide ‘affordable luxury’ – indoor and outdoor furniture that marries craftsmans­hip with mass appeal. But the brand also has other concerns.

Today, of course, designers and manufactur­ers face a multitude of challenges that were not on the radar during the height of the golden era of Danish design. Climate change, pollution and resource depletion are among them, and designers and brands

– no matter their location or culture – must find routes toward mitigation in what they do.

Among Houe’s latest products is an indoor chair that exemplifie­s this perspectiv­e of concern for humans and contexts greater than ourselves. Falk is made with post-consumer plastic that’s been recycled from Danish household waste. Houe partnered with two of Denmark’s most ambitious waste-minimisati­on and plasticmou­lding companies to create what it calls “a minor revolution with an enormous potential.”

Falk was designed by Thomas Pedersen (an award-winnig Danish designer) with a modern and simple language. Its recycled plastic shell (black in colour), with a cutaway area at the rear, offers flexible support for the back.

It sits atop either a central column leg or a set of four legs, which are produced in powercoate­d metal or oiled oak (a second option for the four-leg constructi­on only). The optional seat pad is upholstere­d in 98-per-cent post-consumer recycled polyester and two-per-cent new polyester.

While some of Houe’s other products favour materials with good sustainabi­lity credential­s such as bamboo, Falk is just one step toward the new imperative­s that are sure to define design in the years ahead.

 ??  ?? Above: The new Falk chair, designed by Thomas Pedersen and made with post-consumer plastic waste, and the Four table, designed by Henrik Pedersen with a slim extruded aluminium frame.
Above: The new Falk chair, designed by Thomas Pedersen and made with post-consumer plastic waste, and the Four table, designed by Henrik Pedersen with a slim extruded aluminium frame.

Newspapers in English

Newspapers from Australia