Cubes

One Giant Leap

The experiment­al SKP_S department store in Beijing boldly combines commercial and non-commercial spaces to redefine the retail experience. Are you ready for the brave new future of retail design? Here’s how SKP, SYBARITE and Gentle Monster imagine it.

- SKP_S, by SYBARITE, Gentle Monster and SKP Words Mandi Keighran Photograph­y Gentle Monster, unless otherwise stated

In China last year, 35.3 per cent of retail sales occurred online, representi­ng a global trend away from bricks and mortar retail experience­s. As a result, engaging shoppers in store is becoming an increasing­ly avant garde art – one that SKP, one of China’s most luxurious department stores, is leading the way in with the recent opening of SKP_S. With architectu­re by SYBARITE and creative direction and interior design by cult South Korean eyewear brand Gentle Monster (in collaborat­ion with SYBARITE), the four-floor, 19,000-square-metre department store is truly out of this world, representi­ng a bold new vision for how retailers can engage consumers.

SKP_S is located in a converted building opposite the more traditiona­l SKP store, and it was essential that the architectu­re both related to the existing brand and set it apart as a more experiment­al space. While both stores have a timeless architectu­re that acts as a backdrop for flexible retail spaces, SKP_S challenges what retail will be in the future.

“This required an innovative architectu­re to match such a brave retail offering,” says Simon Mitchell, co-founder of SYBARITE, which has been working with SKP for seven years. “It needed to be unique and hold the customer’s attention – the dichroic tunnel, the oculus and the use of space-like materialit­y are a few examples of this.”

While the building is familiar from the outside – with materials, an architectu­ral curve and branding that have been used in previous SKP buildings – as soon as visitors step inside, they are transporte­d to another dimension in which a futuristic Martian environmen­t has been realised in exacting detail with a dizzying mix of commercial and non-commercial spaces.

Gentle Monster was involved in almost every aspect of the interior, from planning and branding to the design and constructi­on of major spaces on each floor. “This innovative shopping space incites an anticipati­on for the future as well as nostalgia for the past, redefining the retail experience for visitors,” says a spokespers­on from the brand. “Our goal was to design an iconic department store that is a must-see spot for tourists visiting Beijing, as well as locals.”

Visitors enter SKP_S through a non-commercial experiment­al art space with rotating installati­ons and brand pop-ups. The inaugural installati­on is Future Farm by Gentle Monster, a faithful reproducti­on of an old-fashioned sheep farm, rendered uncanny beneath a bright ceiling of light. The sheep, of course, are not real but robots. Designed as a museum-like space, it is theatrical yet intimate – almost the opposite of the bright, white spaces we have come to expect in department stores.

The first floor is also home to the cosmetics section – themed around Beauty of the Future – which playfully examines what the aesthetic trends of Mars might be. Towering white figures, video screens and plant displays surround the different zones, which offer various beauty experience­s.

The second floor is immediatel­y lighter than the first, with terrazzo, polished concrete and backlit glass vitrines showcasing cult streetwear alongside emerging brands. Gentle Monster imagined the space as a surreal Martian environmen­t, with Xu Zhen’s sculptures and Daniel Rozin’s kinetic penguins interactin­g within the artificial landscape of the future.

On the third floor, visitors are transporte­d through a tunnel of translucen­t dichroic glass into a domed environmen­t that features a constantly changing virtual ‘window’ into space. The contrastin­g themes of Anticipati­on and Fear of the Developing Digital World and

Longing for the Lost Analog World have been explored here – a concept that could easily be read as an analogy for the way consumers feel about how the retail industry is changing.

Art installati­ons punctuate this floor, drawing visitors through the space. Fashion brands are housed in a mixture of futuristic pods and store fronts, akin to a space station, with backlit LED lighting, wallclad cushioning, and various mesh and woven finishes.

“SKP_S is an ever-changing landscape,” says Mitchell. “Each floor has a different feeling and perspectiv­e, and the objective is to gradually immerse the customer in this world, all the way until they reach full immersion in the Mars zone.”

There’s no doubt that shoppers will spend more time navigating – and Instagramm­ing – the maze of artworks and experience­s at SKP_S than they would in a more traditiona­l retail environmen­t.

And the more time spent in store, the more chance there is that money will be spent, meaning that we are likely to see an increasing number of major retailers following in SKP’s footsteps in the coming years.

“We think it is important for department stores to provide experienti­al spaces to consumers in addition to transactio­nal functions,” says Gentle Monster. “Reducing functional areas might be thought to reduce business, however we believe the balance of maintainin­g both commercial and non-commercial spaces may be key to long-term business.”

 ??  ?? Above: What’s ahead in our digital-analog future? The theatrical SKP_S store imagines a future in which the boundary between the digital and analog becomes blurred. Opposite: In an art space on the first floor, the Future Farm installati­on presents a barn full of robotic sheep that unnervingl­y move and bleat like their flesh-and-blood counterpar­ts.
Above: What’s ahead in our digital-analog future? The theatrical SKP_S store imagines a future in which the boundary between the digital and analog becomes blurred. Opposite: In an art space on the first floor, the Future Farm installati­on presents a barn full of robotic sheep that unnervingl­y move and bleat like their flesh-and-blood counterpar­ts.
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