Future Music

In the studio with Fatboy Slim

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“Most of the album was made during the last hurrah of The House of Love. It was my little spare bedroom, overlookin­g the train tracks of Preston Park station [in Brighton].

“I was using an Atari ST, an Akai S950, and a coupla synths. Most of the musical stuff came out of a Roland SC-70 SoundCanva­s – that was for traditiona­l instrument­s like pianos. Then I had a Midimoog, which did basslines. Then a 303, naturally. And a 909, 808 and a Moog Prodigy – for the wild stuff.

“A lot of the tunes were 90% from the S950. And halfway through the album I invested in another, as I told myself I was a profession­al now, and as I was always running out of memory. I only had 48 seconds! If you had a whole track in there you couldn’t get any of the vocals in!

“Then the turntable was hardwired straight into the sampler. I started building up a sample collection and saving them to disks, which made it all quicker and easier to make music.”

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