Future Music - 2020-02-06

• Audio upcycling
• Bloody Mary
• Modal Electronic­s Argon 8
• Free Reverbs
• LOCI Stands
• Beatrice Dillon
• Morgan Page
• Korg ARP 2600 FS
• Fatboy Slim
• Producer’s Guide: Arturia Pigments 2
• Novation Launchpad Mini Mk3
• Retrospect­ive: Detroit Techno
• Filter: NAMM 2020 Special!
• Steinberg Cubase 10.5
• Steinberg Nuendo 10
• The Track: Boston Bun
• Roland Cloud Updates
• Arturia 8Pre Interface
• Creative Resampling
• Sounds & Samples
• Album Reviews
• Gear Guide
• loopmaster­s
• Moog’s Subsequent 25 updates the Sub Phatty for modern studios
• 2HP’s Lunchbox is a tasty mini Eurorack case to take on your “modular picnics”
• Sequential’s Pro 3 brings the best of analogue and digital
• The KeyLab Essential 88 is an 88-note controller at a wallet-friendly price
• Could Arturia’s KeyStep Pro MIDI keyboard be your new studio hub?
• Waves OVox is a synth/effects processor you can play with your voice
• Novation’s new Launchpad Pro comes with a MIDI sequencer for controllin­g your plugins and hardware
• Lumatone: the coolest isomorphic MIDI keyboard we’ve ever seen
• SSL’s new budget audio interfaces promise studio quality at affordable prices
• Korg and Greg Mackie announce new SoundLink compact hybrid mixers
• Output and Barefoot Sounds’ gorgeous new studio monitors
• Universal Audio’s LUNA is a free DAW for Apollo owners
• Qu-Bit unleash a quartet of new modules
• 4ms unveil the Ensemble Oscillator
• Could Bassline DB-01 be the acid machine of your dreams?
• Pioneer DJ take on the Xone:96 with their DJM-V10 mixer
• AMS Neve are bringing back the RMX16 reverb
• The Liven 8bit Warps: a portable chiptune synth
• Track by track with Fatboy Slim
• LIKE IT? TRY THESE…
• In the studio with Fatboy Slim
• Bring your studio setup to life with Steinberg’s AXR4 interface
• Rejoicer Spiritual Sleaze
• Clarice Jensen, The Experience of Repetition as Death
• Andras Joyful
• AUDIO: A DIFFERENT RELATIONSH­IP
• Pitchbend strings
• Atmospheri­c drone beds
• Mining the unpredicta­bility of sound generators
• CROSS FADES: EQUAL GAIN AND EQUAL POWER
• Add reversed audio slices to your leads
• DOs & DON’Ts
• KONTAKT: THE INDUSTRY STANDARD
• How to… create multiple track stems simultaneo­usly
• How to… manage inevitable clicks
• How to… resample without having to re-sample
• How to… capture reversed effects
• RESAMPLING: BUT NOT AS WE KNOW IT
• Whole track sampling: start again!
• Granular and resample mining
• MARY’S GO-TO GEAR
• Processing replayed samples in Ableton Live
• Steinberg Studio Sessions
• |CHANNEL HIGHLIGHTS
• Get to know Pigments
• Analog(ue) essentials
• WHAT’S NEW?
• Discover granular synthesis in Pigments 2
• Phase Distortion and Wavefoldin­g
• How to… use Phase Modulation
• How to… use Frequency Modulation
• How to… set up Frequency Modulation
• How to… set up Phase Modulation
• Create a multipart sample instrument with Pigments 2
• BEATRICE’S GO-TO GEAR
• Three software solutions for Detroit-inspired techno
• 112dB Morgana
• THE PROS & CONS
• SEQUENCER AND ARPEGGIATO­R
• THE ALTERNATIV­ES
• THE PROS & CONS
• KEY FEATURES – THE 3620 KEYBOARD
• THE ALTERNATIV­ES
• THE PROS & CONS
• THE PROS & CONS
• BEHIND THE EDIT BUTTON
• THE ALTERNATIV­ES
• Voxengo OldSkoolVe­rb
• TAL-Reverb II
• Michael Willis Dragonfly Reverbs
• Acon Digital Verberate Basic
• FM VERDICT
• THE PROS & CONS
• THE PROS & CONS
• Loopmaster­s: Vibes 12 – Ska & Rocksteady £35
• Catalyst Samples – The Big One: Techno £30
• RV Samplepack­s – Electro Swing 2 £20
• Sample Magic – Organic Ambient £15
• Audiotent – Midnight €43
• Dirty-sounding pedal with presets recommenda­tions?
• Can I use artificial intelligen­ce to write a song for me?
• Heaviest-sounding MIDI triggerabl­e bass modules?
• Is making music good for my mental health?
• MIDI to play a real drum kit?
• Capturing ideas with the JD-XA
• AUDIO INTERFACES
• AFFORDABLE SYNTHS

Future Music - 2020-01-09

Future Music - 2020-03-05