The World of Chinese

INDUSTRIAL PARKS THAT ARE LEFT TO ROT ARE NOT WITHOUT CHARM FOR URBAN ADVENTURER­S.

- – Y.T.

floor, he could imagine the bustling scenes of 50 years ago when hundreds of workers thronged the assembly line to put bottles together, accompanie­d by the cacophony of the machines. “That energy was the energy of the generation of people who tried to build a socialist China. It makes you emotional. You believe in the passion of that era, even if [the building] is in ruins now,” he says, calling abandoned factories “natural museums” of history.

But without any protection, these natural museums may disappear completely. In July, Wen visited a steam locomotive warehouse in Beijing he’d explored twice before, only to find the roof had collapsed after heavy rain and crushed the engine inside.

Wu, the steel worker-turnedhand­yman at Shougang, still misses the era when the factory was his entire world. “At that time, we didn’t want to go home at the end of the day. We could play cards and basketball, chat, take baths, and even cook in our factory dormitory. Now I don’t want to stay a minute longer after I clock off work,” he says. “Sometimes, I get lost among these new buildings and have to use a navigation app to get around.”

A new landmark based in Nanjing's Garden Expo Park, the towering cylindrica­l bookstore is housed inside ten interconne­cted cement silos that used to store crushed stones back when the site housed a cement factory built in the 1970s. It was converted in 2018 as a gesture of reconcilia­tion for the scarring of local mountains due to limestone extraction. The silos are each decorated to reflect a different theme, such as art, travel, literature, and social science, and are connected by glass corridors. The interior walls are painted white to imitate the texture of paper as well as symbolize a brand new life for the immersive bunker, which now welcomes visitors with books, exhibition­s of local art, and a cafe.

This eerie Art Deco complex was once the largest slaughterh­ouse in the former Internatio­nal Concession of Shanghai, designed by British architects and named after its year of constructi­on. It has been repurposed since 2006 as a hub of fashion, art design, and entertainm­ent. Spiral staircases, bridged walkways, twisting ramps, and decayed buildings all reveal its unique industrial heritage. The narrow spiral staircases, now a popular photo backdrop, were originally built as escape routes for workers in case the animals panicked and stampeded during slaughter. The 8-meter-tall Sky Theater on the fourth floor, made of reinforced glass, now hosts parties, performanc­es, and even wedding ceremonies. The inside temperatur­e stays cool as the 50-centimeter thick walls and spacious interior helps condition the air.

The former Fourth National Cotton Factory of Jinan, establishe­d in 1932, was renovated in 2019 into a center of exhibition, sales, and entertainm­ent that retains the collective memory of the once-thriving textile industry of the city. In an exhibition space, 1,500 suspended weaving shuttles and about 5,000 spindles arranged in rectilinea­r grids on the sides of walls invite visitors to explore the factory's traditions and historical roots. DIY workshops, a textile library, cultural exchange salons, and a marketplac­e for cultural and creative products are offered to help visitors get a deeper understand­ing of traditiona­l and modern weaving and dyeing culture.

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