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The Critic, 01 Julio 2026

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En esta edición

ArticlePick­ing at old wounds

ADMIRERS OF THE STATECRAFT of Sir Keir Starmer may from time to time find read­ing the polit­ical con­tent in The Critic a chal­len­ging and per­haps puzz­ling under­tak­ing. But per­sist­ence has its rewards. For it should be acknow­ledged that he...

Pick­ing at old wounds

ArticleSex, suc­cess and fail­ure

Sarah Ditum talks with song­writer Neil Han­non of The Divine Com­edy Neil Han­non could be a char­ac­ter from one of his own songs as he walks into the Royal Fest­ival Hall, look­ing eleg­antly dishevelled in a grey tweed jacket, pulling a suit­case...

Sex, suc­cess and fail­ure

ArticleThe man who defied the min­istry

Richard Bratby on Tom Rolt, whose res­cue of the Talyllyn Rail­way provided a model of how we can stand up to the homo­gen­is­tion of our cul­ture When the writer L.T.C. Rolt dis­covered the Talyllyn Rail­way on a rain-lashed day in the sum­mer of...

The man who defied the min­istry

ArticleA police school for scan­dal

Stu­art Waiton asks if it’s any won­der there’s a two-tier poli­cing con­tro­versy when officer train­ing is focused on polit­ical cor­rect­ness The hand­cuff­ing of the dying Henry Nowak has put Bri­tain’s “two-tier poli­cing” in the spot­light. But...

A police school for scan­dal