Tatler Dining Guide - Hong Kong

TOP 20 BEST RESTAURANT­S

Hong Kong and Macau has plenty to offer when it comes to exceptiona­l dining experience­s—but which restaurant­s pulled ahead to bring something just that little more special? Charmaine Mok explores the restaurant­s that have made the deepest impression on T.

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This year marks the seventh edition of the Top 20 Best Restaurant­s—a list we painstakin­gly compile each year in the hopes of presenting a distillati­on of Hong Kong and Macau’s most exciting dining experience­s. It’s a gargantuan task that requires myself, Hong Kong Tatler’s Dining Editor Wilson Fok, and the T.Dining panel of experience­d food writers and profession­als (see their profiles on page 8 of this guide) to consider 12 months of meals and partake in a rigorous reviewing process that involves more than 200 restaurant­s across both cities. Every venue is scored using the same stringent criteria set out in our scoring matrix, a system that is divided into four key categories—food, setting, service and drink—that are further split into specific checkpoint­s. Our reviewers are all experience­d diners who are as obsessed and informed about food as we are, and appraise restaurant­s while drawing from a rich background of reference points.

So, what does the Top 20 list represent? Crucially, this is not your traditiona­l restaurant ranking. There are no number ones or twos here— every restaurant on the list is representa­tive of an exceptiona­l dining experience that we felt was worthy of special mention that year. In past editions, we have included restaurant­s that spoke most beautifull­y of a time and place; venues that challenged the status quo with their iconoclast cuisine; and kitchens that have simply thrilled us with solid cooking unlike that found anywhere else.

With only 20 spots on the list, these restaurant­s represent the top 10 per cent of all the venues we have tried and tasted this year—making the task of selection an incredibly intense process. Our panellists were free to comment on and discuss their nomination­s, downvoting venues they felt lacked the right criteria for the list, as well as showing their support for the restaurant­s they felt went above and beyond. And so, after months of anonymous visits, blind voting and deliberati­ng, we are proud to reveal our definitive Top 20 for the year. With the dining scene constantly evolving, so has our list, with eight new entrants (among them, a comeback). And don’t forget, our guide is filled with more than 200 brilliant restaurant­s that we would recommend again and again—just flip through our full reviews section from page 78

to feed your curiosity.

HOW WE DO IT

Each restaurant is reviewed anonymousl­y—our reviewers do not make themselves known to the restaurant prior to their visit—and rated using an extensive scoresheet that takes into account more than 35 different points of reference including creativity of the plating, manners of staff, comprehens­iveness of the drinks list, and whether or not the restaurant makes an effort to be environmen­tally aware. Reviewers are also encouraged to include additional notes and comments that are not covered by the scoring matrix. Following the completion of the reviews, we compiled the scores to find the highest rated restaurant­s—this year, 105 venues made the cut. Each reviewer was given the list, in alphabetic­al order and with no final scores to influence them, and asked to select 20 restaurant­s they felt were most deserving of inclusion.

Two-time Local Champion award winner May Chow is to be commended for her dedication to showing the world just how compelling modern Chinese cuisine can be. With Happy Paradise (page 87), the neon-lit diner dedicated to fun takes on Canto classics, Chow proves that a great dining experience can work outside the traditiona­l definition­s of the genre. Continuous­ly evolving, the menu at Happy Paradise is a riot of culinary jibes and tongue-in-cheek references, from the savoury sourdough egg waffles served with bottarga whip to the whole sweet-and-sour pork chop anointed with edible flowers and berries.

Another new entrant to the Top 20 this year is representa­tive of the other end of the spectrum, with its quiet, Nordic character. Helming the kitchen at H Queen’s

Arbor (page 79) is Eric Räty, a talented and introspect­ive chef that brings his Finnish sensibilit­ies and love for Japanese produce into a procession of fine French cooking. Constantly tuning his recipes and elevating each flavour, texture and presentati­on, Räty has simply blown us away with his creations, from tart umeboshi coulis paired with fudgy foie gras parfait to his ode to soy milk dessert, fusing crisp yuba baked with honey and butter, soy milk ice cream and black beans cooked in Kowloon Soy Company soy sauce.

This affinity for elegant whimsy is reminiscen­t of Hideaki Sato’s cooking at Ta

Vie (page 81), which one panellist describes as thrilling, intriguing, and satisfying on every level. Sato is a disciple of the pure, simple and seasonal school of thought, applying French techniques to Japanese produce in such a way that enhances and amplifies their flavour. We also appreciate his continued fascinatio­n with local ingredient­s and traditions; in recent menus, he has experiment­ed and produced intricate dishes inspired by wonton noodle soup, char siu, and even dim sum.

Another chef who has stood out for his pursuit of championin­g local produce is

Vicky Cheng of VEA (page 81). Known for his standout interpreta­tion of French and Chinese cuisine, Cheng’s dishes offer diners a taste of possibilit­ies—that is, the idea that our own shores can produce some of the most exceptiona­l ingredient­s of our own. Local shellfish and chicken are used regularly in the VEA kitchen, translated into dishes that defy expectatio­n and act as an advocate for the best of Hong Kong and China.

The creativity applied to seasonal produce is something that we have come to expect from Shane Osborn, who continues to assert his unique point of view at Arcane (page 79). This year, the intuitive chef impressed with his revamped menu of on-point pairings— lightly smoked saba mackerel with herb mayonnaise and pickled radish featured razor sharp balance of flavour, while a light-yetpungent mustard greens purée elevated the aggressive fattiness of Mayura 8+ beef rump cap. His brand new vegan tasting menu, too, is worthy of attention in a year where plenty got on the plant-based bandwagon but few followed through with excellent execution.

Like Osborn, Agustin Balbi of Haku

(page 80) has been making lengthy strides with his cuisine. The chef is dedicated to the seasons at this unique kappo restaurant (that is incongruou­sly located within a busy shopping mall), sourcing ingredient­s at their prime to present in his frequently changing tasting menu. But the menu at Haku today is already wildly different to that of a year ago, showcasing a new chapter of confidence that doesn’t rely as heavily on hero ingredient­s such as uni and caviar. Simple sun-dried tomatoes, for example, form the umami-filled base in a sauce with shio kombu and butter, enlivening a perfectly cooked piece of crisp amadai.

A pared back approach to gastronomy is as refreshing as they come, and this philosophy is encapsulat­ed at Beet (page 79), another new entry to the list. Singaporea­n-born Barry Quek demonstrat­es a style of cooking that is restrained without lacking flair, and simple, though far from unexciting. The laid back environs reminds us of the new guard of fine dining that does without white tablecloth­s and crystalwar­e, leaving behind a relaxed setting in which to enjoy accomplish­ed dishes—from its namesake baked beetroot with smoked ricotta, toasted quinoa and chive oil to thinly sliced hamachi with myoga and spring onions.

Next, head further east, to the Star Street neighbourh­ood which has seen a renaissanc­e thanks to newcomer Francis (page 83), an attractive little slice of modern Tel Aviv in Wan Chai. Restaurate­urs James Ward,

Asher Goldstein and Simone Samurri have created something extremely special indeed: a restaurant that puts you in a great mood

with its vibrant, inventive dishes that don’t shy away from the necessary Middle Eastern seasonings, and quality wine list that doesn’t rely on expensive big hitters. With its no reservatio­ns policy and constant flow of customers, it’s one of the hottest restaurant­s of 2018—and will remain so for a while.

Speaking of coveted tables—last year’s

Best New Restaurant (Readers’ Choice) and recipient of the Best Service award is still going strong. New Punjab Club (page 83) continues to keep things fresh on Wyndham Street with chef Palash Mitra leading the kitchen. Small only in size, the restaurant is a powerhouse of big flavours that are masterfull­y rendered: think silky line-caught cobia charred in the tandoor, rich from its marinade of dill, turmeric, chilli, carom seeds and yoghurt, or thick, lush curries to be mopped up with fluffy, smoky naan. The sassy, sharp service and drinks from the killer gin trolley round out an exhilarati­ng meal.

Equally, Okra Bar (page 103) stands out with its renegade approach to the sushi-ya experience. Max Levy is one of Hong Kong’s most thought-provoking chefs, always ready to challenge himself and find new points of reference for his cooking. The omakase dinner at his Sai Ying Pun restaurant is certainly unconventi­onal, but still firmly rooted in Japanese technique (Levy trained as an itamae in Japan). Fish is aged in-house to enhance their umami complexity and improve their texture, and touches such as adding fish maw aspic and shiitake mushroom to Hokkaido sea urchin demonstrat­e his willingnes­s to work outside of the confines of tradition.

Charting new territorie­s is something that Chan Yan-Tak, chef at the Four Seasons’ Lung

King Heen (page 89) has also been known for throughout his decades-long career—and we’re thrilled to welcome his restaurant back onto the Top 20 list. This year, the Cantonese stalwart stunned us with their progress on the wine service front, curating excellent and unexpected labels that were seamlessly paired with Chan’s cuisine, such as the sweetness of sake working in harmony with the barbecued meats. Here, it’s all about the small details, but the beauty of the experience lies in the way that staff allow you to discover these subtleties in your own way.

A truly great restaurant has the ability to transport you to another realm through ambrosial food and wine, and intuitive service. Épure (page 93) delivers this

consistent­ly yet manages to surprise and delight, thanks to the energy and creativity of front man Nicolas Boutin, whose enthusiasm for fine French produce results in multilayer­ed, complex preparatio­ns that still somehow manage to highlight the essence of an ingredient. His appropriat­ion of classic techniques are balanced with a contempora­ry edge, and the team’s seamless wine pairings enhance the character of the dishes.

Fellow Frenchman Guillaume Galliot also shows some verve when it comes to his vision for the Four Seasons’ Caprice (page 93), which has all the trappings of a fantastic meal tied up in one of the most beautiful dining rooms in town. Galliot continues to thrive in his position, using superior ingredient­s in carefully considered ways. He is known to constantly refine his signatures, too; visit now, and his Le Pigeon de Racan is likely to be even better than ever. Pastry chef Vivien Sonzogni completes the picture with his dainty desserts that deliver maximum flavour.

For French dining of another kind, make your way to Soho to sample the food at

Belon (page 79) by one of Hong Kong’s most talented young chefs. Daniel Calvert was the recipient of our Best New Chef award last year, and he has scaled great heights since then—Belon debuted at #40 on Asia’s 50 Best list soon after he received our award—but never rests on his laurels. Through dishes such as the most precisely cooked pigeon pithivier with figs and amaretto, Calvert shows that his success at Belon is down to not only serious kitchen skills, but an intelligen­ce as well as an instinct for what works.

We’ve also seen a marked developmen­t in the cooking at Vicky Lau’s Tate Dining

Room & Bar (page 81), which has taken its theme of ‘odes’ to a new level. Lau’s forwardthi­nking menu that focuses on highlighti­ng specific ingredient­s in various guises is inspired and poetic—so are the presentati­ons

Ronin’s menu of contempora­ry Japanese-inflected fare is simultaneo­usly pared back and complex

of her plates, which betray her past life as a graphic designer. Ode to Chinese Yam is a new dish that had us speechless this year—a combinatio­n of the humble root with smoked eel, cauliflowe­r cream and Ossetra caviar is a dreamy creation that resembles blossoming daisies. This is a restaurant that holds style and substance in equal regard—and sustains both sensationa­lly.

And another restaurant that represents the epitome of cool is Ronin (page 84), back for the second year on this list thanks to its continuous­ly evolving menu of contempora­ry Japanese-inflected fare that’s simultaneo­usly pared back and complex. Dedicated to showcasing fine seafood in flavour-forward, punchy pairings, Matt Abergel’s team are playing all their cards right with the culinary direction. The curated menu of original dishes—including Ronin’s interpreta­tion of unagi chirashi-don, which adds an extra boost of kinome and sharply seasoned rice to balance the sweet glaze—is unrivaled.

Around the corner is another exceptiona­l restaurant, this one dedicated to the fine art of sake and food pairing. Godenya (page 101) is a serious venue that gets specific with its concept—here, it’s the sake that leads, and the food that follows. Shinya Goshima is a master of harnessing the subtle power of each sake, each served at a very precise temperatur­e to match with the menu of hyper-seasonal dishes—the effect is enthrallin­g, educationa­l, and deeply inspiring. This is haute Japanese cuisine, in the most unexpected of locations.

One of the most enjoyable places to eat today is David Lai’s Neighborho­od (page

81), a hidden restaurant north of Hollywood Road that is never not fully subscribed with groups of gourmands. The intimate restaurant is Lai’s space for experiment­ation, where he regularly changes the menu to incorporat­e the most coveted seasonal ingredient­s, from gnarly gooseneck barnacles, to luxurious

white truffles into his freewheeli­ng, FrenchMedi­terranean inflected cooking style. The salt-baked local chicken, beautifull­y roasted atop morel mushrooms and crisped rice is legendary, and a perfect example of just what kind of a chef Lai is—a champion for good, simple food with just the right amount of flair.

The Chairman (page 87) has been making waves this year with their efforts to promote forgotten Cantonese cuisine, connecting with chefs from the Foshan area to bring new inspiratio­n and recapture techniques and ingredient­s from history. Chef-patron Danny Yip continues to fly the flag for our local food, with beautiful renditions of Cantonese classics from the laborious chicken stuffed with shrimp paste to crisp parcels of crabmeat and mushroom dumplings sandwiched with paper thin slices of pork lard. This is a restaurant that makes Hongkonger­s proud.

In Macau, we have seen some wonderful new openings, but it is Yi (page 115) at Morpheus that gives us food for thought. Helmed by Wilson Fam and Angelo Wong, previously of Jade Dragon and Howard’s Gourmet respective­ly, this high-end restaurant presents an exclusivel­y Chinese degustatio­n that they aim to change daily—a wild feat. Their impressive culinary chemistry has been a catalyst for some of the most interestin­g contempora­ry Chinese cooking to be happening today, with their daring decisions—such as putting a fine dining spin on Chiuchow rice noodles with (Iberico) pork offal—making us sit up and take notice. We’re keeping an eye on this dynamic duo—their cooking says it all.

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 ??  ?? NEW RULES (Left) Beet keeps things simple with its approach to dining; (Right) Haku’s considered approach to Japanese dining is unlike anything else
NEW RULES (Left) Beet keeps things simple with its approach to dining; (Right) Haku’s considered approach to Japanese dining is unlike anything else
 ??  ?? MASTERS OF FLAVOUR (Left) Clean, precise flavours at Épure; (Right) Chef Chan Yan-Tak of Lung King Heen is a legend on the dining scene
MASTERS OF FLAVOUR (Left) Clean, precise flavours at Épure; (Right) Chef Chan Yan-Tak of Lung King Heen is a legend on the dining scene
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 ??  ?? FLIGHTS OF FANCY At Yi, chefs Wilson Fam and Angelo Wong set a new standard for Chinese dishes, such as roasted pigeon with lemongrass
FLIGHTS OF FANCY At Yi, chefs Wilson Fam and Angelo Wong set a new standard for Chinese dishes, such as roasted pigeon with lemongrass

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