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BBC Music Magazine, 16 Jul 2026

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Description

BBC Music Magazine is one of the UK’s leading publications dedicated to classical music. Since 1992, it has offered authoritative coverage of the classical music world, appealing to both seasoned enthusiasts and those newly exploring the genre. Published monthly, the magazine is known for its expert reviews of new recordings, performances and releases, providing insightful commentary from respected critics and contributors. It also features interviews with leading composers, conductors and musicians, giving readers a deeper understanding of the people shaping classical music today. In addition, it explores music history, giving context and background that enriches the listening experience, from baroque and romantic to contemporary works. BBC Music Magazine includes curated guides, recommended recordings and features that help readers discover new works and revisit timeless compositions. Its content balances accessibility with depth, making it engaging for a wide audience. Available on PressReader, BBC Music Magazine offers an engaging, informative and immersive experience in classical music every month.

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In This Edition

ArticleErmanno Wolf-fer­rari

The opera com­poser who united Ger­many and Italy through music

Ermanno Wolf-fer­rari

ArticleSound of The Hebrides

Dis­cover the allur­ing magic of the Scot­tish small­pipes

Sound of The Hebrides

ArticleShiry Rashkovsky

‘I told my jokes live on stage, to deathly silence…’

Shiry Rashkovsky

ArticleWel­come

When Fred­die De Tom­maso won BBC Music Magazine’s 2022 New­comer award for his debut record­ing, Pas­sione, it was clear we were wit­ness­ing the birth of a great oper­atic tenor. Pay­ing trib­ute to great sing­ers of yes­teryear, the...

Wel­come

ArticleJeremy Pound

‘Where bet­ter to inter­view Fred­die De Tom­maso, opera singer and son of a res­taur­at­eur, than a bust­ling café oppos­ite an opera house? Our chat about his life devoted to Italian opera was every bit as lively the scene around us.’

Jeremy Pound

ArticleMadeline Castrey

‘Research­ing and com­pos­ing lul­la­bies became per­sonal after spend­ing sleep-deprived nights singing them to my new­born. Explor­ing the sci­ence and psy­cho­logy behind them gave me an appre­ci­ation for their power’

Madeline Castrey

ArticleFreya Parr

‘Brow­beaten by the change­able Hebridean weather (and hikes up Mun­ros), I watched a power­ful new work for small­pipes and string ensemble fizz into life as the musi­cians expertly locked into one another’s sound­worlds.’

Freya Parr

ArticleCover: Fred­die De Tom­maso

The bril­liant Brit­ish tenor tells Jeremy Pound why his musical heart will always lie firmly in Italy

Cover: Fred­die De Tom­maso

ArticleBright sparks

The com­posers whose invent­ive powers went way bey­ond the musical score, by Rebecca Franks Com­posers are, by their very nature, a cre­at­ive bunch. They bring into being something new where it didn’t exist before. Rather like an inventor,...

Bright sparks

ArticlePeak per­former

Gau­tier Capuçon explains to Anthony Cheng why he took his cello to the top of Mont Blanc to play Clouds drif­ted over Lon­don’s Henry Wood Hall on a sun­less Decem­ber after­noon last year. But des­pite the cold out­side, a warm vibrance eman­ated...

Peak per­former