Artists & Illustrators - 2022-02-01

• STAY INSPIRED BY SUBSCRIBIN­G
• INTERESTIN­G ANGLE
• Write to us!
• AUDUBON’S BIRDS OF AMERICA
• PISSARRO: FATHER OF IMPRESSION­ISM
• BEATRIX POTTER: DRAWN TO NATURE
• SURREALISM BEYOND BORDERS
• PLACES IN TIME: THE ART OF KENNETH STEEL
• PAINTING ALLA PRIMA
• NEW HUES PYRROLE RED
• Paint shadows
• EXPERT TIP
• Why not try…
• BOOK OF THE MONTH
• THINGS WE LOVE...
• Fresh Paint
• PORTFOLIO PLUS
• Anthony Eyton
• Artist The Working
• £1,000 TO SPEND ON A PAINTING HOLIDAY
• Thomas Gainsborou­gh
• The Boy is Back
• Home comforts
• Terence's materials
• 2 Draw in acrylic
• 4 Let things develop
• 1 Sketch your subject
• 3 Set the tones
• 6 Define forms
• 7 Pare things back
• 5 Soften the contrasts
• 8 Rework the drawing
• 9 Use artistic licence
• 10 Focus on brushwork
• 12 Add final touches
• 11 Mix blacks
• 6. Detail & Pattern
• Tip 1: Express yourself
• Tip 4: Alter focus
• Tip 3: Unify elements
• Tip 2: Select patterns
• Drawing 2: Pull
• Drawing 1: Push
• A GUIDE TO GREYS
• Hashim's materials
• Washes AND GLAZES
• Wet-in-wet
• Dry brush washes
• A flat wash
• GRANULATIN­G PIGMENTS
• APPLYING THE TECHNIQUES
• WET-ON-DRY
• WET-IN-WET
• Creating hard and soft edges
• VISUAL Diary
• HOW TO… MIX WATERCOLOU­RS
• DAILY DRAWING TIPS
• Stephen's materials
• Part 1: Eyes
• Edward CAREY

Artists & Illustrators - 2022-01-01

Artists & Illustrators - 2022-03-01