BBC Music Magazine

Ludford

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Missa Videte miraculum; Ave Maria, ancilla Trinitatis Choir of Westminste­r Abbey/ James O’donnell Hyperion CDA 68192 62:40 mins The Tudor composer Nicholas Ludford (d1557) spent most of his life attached to St Stephen’s Westminste­r. A box set of his major works was issued by The Cardinall’s Musick ensemble on Asv/gaudeamus in the early 1990s, which included two of the works here – the Videte Mass, and Ave Maria ancilla Trinitas. The Cardinall’s group is smaller (13 voices, some of them female) than the Westminste­r Choir (30 voices, men and boys). This means that, by comparison, the current recording has a more ‘monumental’ sound, and also (given its more resonant acoustic) the texture is less translucen­t.

That said, James O’donnell and the Westminste­r singers really understand this music and make a fine case for Ludford being a true (if neglected) master of polyphony. The disc kicks off with some serene, measured singing in the Kyrie interspers­ed with stunning organ interludes (created by O’donnell) between the sections. The Alleluia

hardly puts a foot wrong in terms of the organic growth of the music, and the same is true of Hac clara

– though they could perhaps have let their guard down a little at the words ‘joyful acclamatio­ns, shouting out for Mary’, and it is hard not to raise an eyebrow at the sweet boys’ voices singing in Latin about the gynaecolog­ical details of Mary’s pregnancy. Their greatest skill is shown in their handling of the intricacie­s of the Videte mass, with its ecstatic running exchanges at ‘Dominus Deus’ in the Gloria and the ethereal visions of the Agnus Dei. Anthony Pryer

PERFORMANC­E ★★★★ RECORDING ★★★★

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