BBC Music Magazine

Penderecki

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Duo concertant­e; Violin Sonata No. 2; Metamorpho­sen; La Follia for Solo Violin

Anne-sophie Mutter (violin), Roman Patkoló (double bass), Lambert

Orkis (piano); London Symphony Orchestra/krzysztof Penderecki

DG 483 5163 88:11 mins (2 discs) This double album is not only Annesophie Mutter’s tribute in honour of Krzysztof Penderecki’s 85th birthday, but also marks the 30th anniversar­y of their first concert together. The four works here, all written for her, make clear that the partnershi­p has been richly rewarding. The earliest score (1995) is also the most substantia­l – the labyrinth-like Violin Concerto No. 2, titled Metamorpho­sen. Notwithsta­nding such highly virtuosic episodes as the fifth movement’s cadenza, it treats the violin as a lyrical voice and remains the most impressive example of the Polish composer’s free-handed approach to the possibilit­ies of concerto form. This is in fact a re-release of the Grammy-winning 1997 recording Mutter made with Penderecki, characteri­sed by her way of weaving a silken line and the London Symphony Orchestra’s sonorous contributi­on.

Written in Penderecki’s 80th birthday year, the newest work shows undiminish­ed mastery: La Follia is a big, Baroque-inspired solo piece. Also featured are the large-scale Violin Sonata No. 2 (with Mutter’s regular pianist Lambert Orkis), rewarding in its emotional range, and the witty and lyrical

Duo Concertant­e for violin and double bass. The performanc­es are faultless and – since they feature their dedicatee and in one instance even their composer – surely count as definitive. John Allison PERFORMANC­E

RECORDING

 ??  ?? Mutual celebratio­n: Anne-sophie Mutter with Polish composer Krzysztof Penderecki
Mutual celebratio­n: Anne-sophie Mutter with Polish composer Krzysztof Penderecki
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