BBC Music Magazine

JS Bach

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Violin Concertos; Concerto for Two Violins in D minor

Shunske Sato (violin); Il Pomo d’oro/ Zefira Valova (violin)

Erato 9029563387 52:15 mins

This new and vibrant release features three Bach concertos for one and two violins in their original form, as well as a reconstruc­tion for violin of Bach’s presumed later version of the piece for harpsichor­d and strings.

Bach’s son, Carl Philipp Emanuel, recalled that his father played the violin cleanly and penetratin­gly. Shunske Sato reflects these qualities admirably, but there are other virtues, too. ★is control of melodic contours is eloquently sustained and he is alive to expressive nuance, as may be particular­ly appreciate­d in the central slow movements. The rhythmic elasticity of Sato’s phrasing is frequently effective, though I feel that he leans too heavily and too long on individual notes. Stylistica­lly, the gestures are commendabl­e but they are over-emphasised and rather irritating after a while. All these features of Sato’s playing are plentifull­y on display in the opening movement of the E major Concerto, where he also provides us with a microcosm of his ideas concerning ornamentat­ion and embellishm­ent.

In the Concerto for two violins, Sato’s dialogue with Zefira Valova is animated and evenly argued in the outer movements, though the poetic Largo ma non tanto strikes a somewhat prosaic note. In all, the strings of Il Pomo d’oro give responsive if at times a shade too beefy support. Nicholas Anderson PERFORMANC­E ★★★ RECORDING ★★★★

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